Movie Quotes
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If you were my agent and I was making $10 million a movie and made four movies a year, that means you have a salary of $4 million.
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You take some creative license when you make a movie, and things can be a little bit different.
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I would never see a good movie for the first time on television.
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I got the regular call, that they were doing a Broadway musical of Hairspray, and would I come and audition. I was familiar with the movie, because at the time it came out my lover wrote for Premiere magazine, and we had to see everything.
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Gavin Lambert was the first person in the movie business my wife and I met when we moved to Los Angeles in 1964.
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I wanted to make a small movie about a guy and a girl on the beach, but then I thought, wouldn't it be cool if a werewolf was there?
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I would love to do a big-budget movie musical - I feel like there is one big musical movie a year. And I'm always there at the theater to see them - I love them.
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Being the person who gets to make a movie about Wonder Woman, of course, I take that incredibly seriously. I am a huge Wonder Woman fan, and the aspiration comes totally naturally to me.
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I've made quite a number of movies like Castaway and a few others where I'm the only guy in the movie and the only place to be is right next to the camera in costume ready to go in order to get it. The years, and more specifically probably the four months prior to beginning shooting, is where the big preparation is that the director does because I knew we were going to get on the set. And the good news is, if you're the boss, if it ain't good, you don't use it. You just cut it out.
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Rian Johnson's 'Looper' is inventive, entertaining, and thought-provoking in every way a movie can be. It is in fact the kind of movie that reminds us why we watch them and make them, a beautifully told story that deserves to be not only remembered, but acknowledged for its writing.
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My favorite anime movie is 'Fist of the North Star'.
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For me, when I'm making a movie I like to stay in character throughout the day.
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I've never done a studio movie, let alone worked for a network. Every one of my films has been independently financed.
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The '60s may be idealized in the movie from a cultural point of view, but the decade was all about discord and a big generational split that was very painful.
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The main thing people took from 'Night of the Living Dead' was that it was a racial statement movie, and that was completely unintended.
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I don't mind at all venturing off to do a television movie if it's gonna give me something new to mess around in my mind, to turn around in.
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You create the color first, and then the name that fits. It depends - there are no rules. You watch a fabulous old movie, and you suddenly get inspired by it to create a lipstick shade, or you walk through a gorgeous garden and find the most beautiful flower shade for an eye shadow, and then you name it.
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I don't think it's sacrilegious to remake any movie, including a good or even great movie.
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We want to make movies for the big screen. We want people to go to the theater and feel like they're watching a movie.
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I'm not a movie star. I'm just an actress.
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I mean, I know thousands of people died and everything, but if it happened today, there's just no excuse. They'd be much safer inside a movie theater watching one of my movies instead of burning alive in a collapsing skyscraper.
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There are genres I don't care for, and I've never worked in those genres, and then sometimes there are people that I haven't liked and I haven't worked for those people. But if I feel like there's a movie that I would like to go see, I'll jump into it.
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The novel 'World War Z' is told from the perspectives of so many people - speaking to the narrator - that there's no way a movie could capture all of them. Still, the idea of turning a zombie pandemic into a war story is fascinating and could have translated easily to film.
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I've got a family, and I get to enjoy my family, and I get to do different things, trying the movie thing a little bit.
