Movie Quotes
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Once you've been really bad in a movie, there's a certain kind of fearlessness you develop.
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I'm not really a horror movie fan.
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Songs are like movies to me, and so you put yourself in the movie. You become a character in the movie.
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I've seen too many ups and downs in the movie industry.
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It's one of those things where if I do a movie, I don't even know if I'm any good. So, I may do one and it sucks and I'm a horrible actor, and I'll never do another one.
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When I make a movie, I don't break it down and analyze it. I could but it would get in the way of doing a job - on instinct based on all the research we did going in. you want to trust yourself and your director and your acting partners in the circumstances you're shooting. I don't like to have any kind of overview.
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I prefer to commit 100 per cent to a movie and make fewer films, because it takes over your life.
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I feel like I could carry a movie or a show, and I'll mess up here and there, and I'll learn from those things.
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How do you shoot a 150-day movie? You shoot it one day at a time.
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'The Movie' is something that I made with some friends of mine in L.A. My friend, Luke Eberl, is the filmmaker. He shot this movie and asked a bunch of his friends to be involved with it. I just saw him the other day and there is no money to finish the film. But, you know, I literally have a cameo in it.
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When I tried to get 'Stargate' made, I took it to every studio in Hollywood and every studio said, 'Sci-fi is dead. It's a dead genre. No one wants to see science fiction anymore.' And I had to go and raise the money independently to make that movie.
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'The Homesman' is a really interesting movie that Tommy Lee Jones directed.
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My first fear was about the devil, when I was around fire, something I saw in a movie. I think it's about pain, in whichever form it comes.
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The music's job is to get the audience so involved that they forget how the movie turns out.
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All my life, I have taken inventory at intervals. For example, when I became a movie actor and suddenly I had to deal with fame, money and playing so many roles, I lost myself. I said, 'Who am I?' And I wrote my first book to deal with that, 'The Ragman's Son.'
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I'd much rather be in a movie that people have really strong feelings about than one that makes a hundred million dollars but you can't remember because it's just like all the others.
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My mum worked as a secretary for Christian Dior. She looked like a movie star.
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A movie set actually can be a good place to have a family atmosphere.
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The Holocaust movie is almost a genre in itself these days.
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I would say 'American Werewolf in London' is like an unconventional buddy movie: even if the buddy dies 20 minutes in, he still remains throughout the picture, and their partnership is one of the best things in the movie.
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In the first Spider-Man, at the end of the movie, Peter Parker had to deny himself a relationship with a girl that he's in love with. The very next thing that happens is that he's swinging through the city.
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We manufacture a culture in the movie business, and whatever we put out creates a dark side and a bright side, too.
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My new movie, Fools Rush In, is a romantic comedy and the girl I play in that is very warm, very sweet.
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I was in a movie called 'Vanishing on 7th Street,' and that was my first leading role in a movie. It's an apocalyptic thriller, and it's really cool. It's the first movie I ever shot.
