Movie Quotes
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I want to beat up Michael Fassbender in a movie. I was with him at the beginning of his career when he did an episode of 'Murphy's Law.' He's a proper superstar and enormously talented, but I want to do a scene where I properly duff him up.
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'Blue Valentine' was a really sad movie, but I loved the moments when they're discovering each other for the first time.
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I think my least favorite hair color was the hair color that I had in 'Pitch Perfect 2.' They really wanted me to be dark red, and I wanted to be lighter like I was in the first movie, but they didn't want that. But I rocked some light red for a year, after it faded.
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'Evil Dead' was such a big movie in my life. It's one of the few that I really remember when I watched it for the first time. I mean, I don't remember when I first saw 'The Empire Strikes Back,' and it's one of my favourite movies.
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You know, I can't remember the last movie I walked out of. If I pay, I'll see it through. I can't be halfway through a movie and think that I know everything that's going to happen, because I hope that I'm wrong.
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My flag is always flying. My shingle is always out. I'm always looking for movie ideas.
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As much as I thought the end of 'Friday Night Lights' was a really great ending, I was one of those people who wanted to make it into a movie. Even though it ultimately didn't work to do that movie, I did work with some of the other writers and by myself writing a script for that.
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The fact that you've got zombies in this movie allows you to make slightly bolder choices tonally.
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There are characters that have made me uncomfortable. I did a film called 'Rob Roy,' and I played Killearn, who was this sort of greasy fallen-angel character who was voyeuristic and sleazy and really unpleasant. It was a great role, but I didn't especially enjoy living with this awful man for the length of time it took to make the movie.
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No one in the whole movie ever asks anyone, Did you write this letter' Part of the reason is that no one wants to hear that it isn't for them. As soon as they read it, they want it to be theirs.
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There's a period just before you start a movie when you start thinking, I don't know what in the world I'm going to do. It's free-floating anxiety. In my case, though, this is over by lunch the first day of shooting.
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I was a bit odd as a kid, because there were so little outlets for me. There was no theatre except for the odd community theatre and school shows. The only movie theatre was at the Canadian Forces Base nearby in Comox, so it either showed kiddie flicks for the families and restricted stuff for the men.
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The original Spencer Tracy version of 'The Old Man and the Sea' was always terribly flawed because of the over-reliance on voice over, but it's still a beautiful movie.
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My mom always told me I could do or be anything I dared to dream, and I always wanted to work in the movie industry.
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I hate when a movie just sort of ends and is so open-ended you feel like it wasn't finished. I appreciate leaving things up to the interpretation of the audience and letting them make decisions about where things will go in the future - but the director has to make a decision; otherwise it is sort of a cop-out.
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I want every kid to go to college and be like a normal student. I want them to be able to go to a movie, go to a concert. I want them to be able to have that opportunity. But if you're paying kids, are you going to pay a lineman less than you're paying a quarterback? I don't know how to explain that stuff.
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I grew up with a single mom, two brothers, and a sister, and after school, we would play outside then go home for dinner and play videogames together. It's something I enjoy doing, and it's also cheap entertainment compared to a movie or paying for cable. You pay $50 one time for a game, and you can play it as many times as you want.
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I felt like I haven't had the typical experience of a novelist whose book becomes a movie.
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A great movie evolves when everybody has the same vision in their heads.
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I found it to be more challenging to be in a huge effects movie, because a lot of the things aren't there. You have to trust the director and react to nothing.
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I was a guy back in the Eighties who was one movie away from a huge career, which at that time didn't happen. In the Nineties, I worked a lot, but it was kind of, 'Get out there and dig and find things.' Then I guess 'The Rookie' and 'Far From Heaven' were referred to as my comeback.
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If you're a big Hollywood star, you make one movie a year at the most. I can make five in Europe.
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I recently found out about this other super movie star. He only works from about 11:00 to 4:00, so all his movies take like 120 days. But this was a lot of stuff to do in 35 days.
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I don't hang out with movie stars, and you won't see me going to many Hollywood parties. I'm actually quite boring.
