Movie Quotes
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'The Stepford Wives' was too big, and it was unsatisfying to do. Not that it was unsatisfying to do, but it was unsatisfying as a result because, as much as I loved parts of it, and I'm really proud of so much of it, the entire movie wasn't what I wanted it to be. It's my own fault; I didn't follow my instincts.
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There's an audience out there for all these different types of things. Whether it's comedy, motion-picture drama, family movie or a cool, cutting-edge indie, it's nice to know that I can span all those different genres.
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I'm a director because I directed a movie. And if I have any advice for people, it's, 'Go write something; go direct it. If that's what you have a desire to do, go do it. If the movie stinks, just put it on the shelf and try to do it again.'
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I think there's a certain level of trust that I have with women. I've always been honest, even when I haven't had good times in my life or my movie bombed or I've had great success. I've owned up to all of it.
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We've always been fascinated with movie stars and singers, but the fascination with people who really have nothing to offer is something new.
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I was commissioned in 2003 to create an original show, and began developing 'Upwake.' 'Upwake' tells the story of Zero, a modern-day business man, going to work with his life in a suitcase, stuck between dream and reality and not able to decipher the two. I wanted 'Upwake' to have the same audiovisual qualities as a movie would.
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If I hadn't refused Ken Russell, Fellini and Spielberg and made their movies when they asked me, my life would be no different. It is not my fault that I accepted one movie and turned down another. I don't see any point in defending myself, either.
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In the first Spider-Man, at the end of the movie, Peter Parker had to deny himself a relationship with a girl that he's in love with. The very next thing that happens is that he's swinging through the city.
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I'm sure the movie industry is going up but I would love to see more Chinese films about contemporary Chinese about the problems of life on the street.
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I get a little nauseous and disoriented watching 3D, but as a kid I loved it and I was really into it, so if a movie can be in 3D, then why not?
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I wish I could look back and say, 'OK here was a T.V. show or a movie that I thought was so perfect for me', or, 'I did such a good job that if I died tomorrow at least I could say I left that as my legacy.' But there isn't anything that falls into that category.
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Somebody might get criticized for doing some movie that totally sucks, then turn around and be incredible. Every actor goes through that, not just musicians who act.
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I feel I belong in the movie business and I belong in the security business. It's a natural for me.
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What are we blaming? Is this Vietnam? We made a movie, it didn't make much money. I'm gonna be really happy if somebody watches it in 10 years' time and really enjoys it.
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My first movie was totally improvised.
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We lay out our lives in a narrative we understand, like a movie, but are you enjoying making it or are you wondering who's watching my movie.
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I think of a book and a play, or a book and a movie, as two separate things - I don't think of it as my novel having a new life.
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I work with directors who haven't had the experience of being on sets as much as I have. I feel like, in a way, if it's an independent movie, I can teach the crew to kind of relax, or create a vibe. It really is about a vibe.
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Often, when you're on a movie set, you're miserable. It's cold. You're hungry. You're tired. It's still dark out. And yet, there's no place I'd rather be. It's the happiest I am, and the most calm.
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The Holocaust movie is almost a genre in itself these days.
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One of my dad's friends from the music industry came over to our house one time and heard me sing, and he said, 'She should audition for this role I have!' So I did! It was a movie called 'The Gospel,' which I did when I was five. That was when I was like, 'I want to do this acting thing!'
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Comics seldom move me the way I would be moved by a novel or movie.
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It's very important that every movie I do makes money because I want the people that had the faith in me to get their money back.
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The first assistant director is just so important that the choice of that person is critical to the movie.
