Movie Quotes
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I'm not really a horror movie fan.
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I would say 'American Werewolf in London' is like an unconventional buddy movie: even if the buddy dies 20 minutes in, he still remains throughout the picture, and their partnership is one of the best things in the movie.
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I'm a huge movie nerd.
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You have a soft spot in your heart for each movie, and you're doing certain things. You're learning as you're going, as a director, and each movie is its own entity.
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A movie with nothing but violence is not a good movie. But one that is actually entertaining around the horror is one that people will remember and watch again and again.
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I've always wanted to do a boxing movie.
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Everybody enjoys when a woman is her own character in a movie or otherwise.
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Also everyone's hearts are in the right place when you do a small movie. You're not doing it for the money; you're not doing it for the possibility of an Oscar nomination. You are doing it because you love the material.
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There's a period just before you start a movie when you start thinking, I don't know what in the world I'm going to do. It's free-floating anxiety. In my case, though, this is over by lunch the first day of shooting.
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When I work on a movie, I never aim for records, collections or the number one position. I always concentrate on my work and look for ways to improve my acting abilities. I also advise my co-stars not to concentrate on these pretty issues and just focus on acting.
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People who grew up watching Disney films like myself, there are films that are certain benchmarks in my childhood. 'The Little Mermaid' was the first movie I remember seeing. 'Beauty And The Beast,' 'Aladdin,' those are three I remember right off the bat.
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It ends up being a terrible movie if you try and please everyone.
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I've thought that 'Soulmate' in the 'Night World' series would make a really nice TV-movie or just a movie.
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I think the success of a film is very important to an actor. It depends on how many people go to watch your movies; the more the merrier. Nobody wants to do a film for five people. You work so hard that millions of people watch the movie; this is directly related to box office success.
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If you're a big Hollywood star, you make one movie a year at the most. I can make five in Europe.
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What really makes me happy now is my home. I know that I have that to lose. But I don't see losing it. And I don't care if I never do another movie. And I don't care if I never get back on the road. I like to think that I'm gonna do that. But if I don't, I can live with that.
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When you work so hard on making a film, it's all worthwhile when you get to experience seeing that film with an audience who thoroughly enjoy it and react to the movie.
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If it sells, it sells. If it doesn't sell, I'll go make a movie.
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The Holocaust movie is almost a genre in itself these days.
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I grew up with a single mom, two brothers, and a sister, and after school, we would play outside then go home for dinner and play videogames together. It's something I enjoy doing, and it's also cheap entertainment compared to a movie or paying for cable. You pay $50 one time for a game, and you can play it as many times as you want.
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When I have to promote things now, sometimes I realize that I had a movie in mind, but in the end, it's a vision of somebody else, so I have to promote their idea.
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A thriller is supposed to thrill you! So it's the plotting of the movie and the unveiling of the story which is important.
Nastassja Kinski -
An effective found footage movie is much harder to make than an effective traditionally shot movie. A crappy one is much easier to make because you take your camera, and you shoot the scene, and you're done. But to make it effective, they're actually much trickier.
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There's no such thing as a standard size movie star, or woman for that matter.
