Movie Quotes
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What's the best part of a movie? I love to know what my name is. It's just so fun. That's the first thing I ask. It's just fun because you have a different name in every movie.
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In a movie like this, the relationship between the two guys is crucial. It sinks or swims on how these two guys are together. I think we did a good job.
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Never, never did I think I would be in a Disney movie.
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I found it to be more challenging to be in a huge effects movie, because a lot of the things aren't there. You have to trust the director and react to nothing.
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For me, the movie's always evolving as I'm doing it. I throw things in as we shoot, and I take things out as we go. I want to create a whole life and then select the pieces that best sort of describe it later, you know? So there's a lot of wastage when I make a film.
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I'm not clever enough or aware enough to make a political movie.
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The thing is, you never know with any movie how it's going to turn out. It's always a mystery - you'll do pages and pages of scenes that will never make it onto the screen.
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I got so far away from what they told you in acting class: Do something different. Producers kept offering me the 'Sister Act' movie, but I said, 'My fans don't want to see me in a wimple.' I literally said, 'My fans don't want to see me in a wimple.'
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I'm not really a horror movie fan.
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I think if they suddenly cut away and you realize there is a stunt guy, you're out of the movie.
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I usually decide if I'm going to do a movie based on if I like the script or not. I thought 'Pulling Strings' had every single element that a classic romantic comedy needs to be a success. It's very well written. The cast was amazing. It was a decision I made based on the power of the script.
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My flag is always flying. My shingle is always out. I'm always looking for movie ideas.
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When I was growing up watching Marilyn Monroe, I learned that you can be very beautiful, very glamorous and very vulnerable and not give up your soul just because you were a movie star.
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Don't wait for someone else to complete you. 'Jerry Maguire' was just a movie.
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Every movie you do, you find something in yourself that you probably didn't know that you had, and a director will find something in you that you can nurture and find and bring for the next one.
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I don't hang out with movie stars, and you won't see me going to many Hollywood parties. I'm actually quite boring.
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The Holocaust movie is almost a genre in itself these days.
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Now people want what the movie was about, which is violent comedy. And that's really what The Aristocrats is based on - what will a family do out of desperation.
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I want to make my own movie.
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I wasn't trying to top Pulp Fiction with Jackie Brown. I wanted to go underneath it and make a more modest character study movie.
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I don't care how inventive you are; once you introduce strings into the ensemble for a horror film, you're entering into a world where a tradition has been thoroughly established. So it's repeated use over the years is like, 'Oh God, another film with strings, another spooky movie with strings.'
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When I work on a movie, I never aim for records, collections or the number one position. I always concentrate on my work and look for ways to improve my acting abilities. I also advise my co-stars not to concentrate on these pretty issues and just focus on acting.
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We don't hate the media, it's just that when there's too much of it we get bored, but it happens to every human being. I don't think we even hated the media by the time that movie was made. We were just tired.
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If you check your ego at the door when it comes to comedy, you've got a pretty good shot at making a great movie that you can commit yourself to, you can jump off the proverbial cliff with, and have a great time, and the audiences respond to that.
