Movie Quotes
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When I get a script, it's the only time that I get to be an audience member with the first-time experience of that movie. That's the first and only time.
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Heart of America is a movie I'm very proud of. The young actors are great and the story has impact.
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My priority is the script. Get me a good script, and I will sign the movie. I think I should leave the casting up to the experts!
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It's really hard to make an original movie of any kind that succeeds in the theatrical market place, in the wide release market place.
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When I produce a movie - and I've produced a number of movies, unlike Arnold - yes, I'm frustrated when the union says you can't do this, you can't work past that hour, you've got to break for lunch. But ultimately, they're right. What they do is for everyone's benefit.
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People who grew up watching Disney films like myself, there are films that are certain benchmarks in my childhood. 'The Little Mermaid' was the first movie I remember seeing. 'Beauty And The Beast,' 'Aladdin,' those are three I remember right off the bat.
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The movie 'Black Cat,' from 1934, is one of my favorite movies.
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To be successful for a moment because of one movie doesn't mean anything.
Nastassja Kinski
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I'm fascinated with worlds where there's a small population left, whether it's a movie or these TV shows that fascinate me - 'Falling Skies' or 'The Walking Dead' - they are about survival and triumphing over difficult times. I just have a thing for 'em.
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I don't think you should feel about a film. You should feel about a woman, not a movie. You can't kiss a movie.
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I certainly didn't want to make another movie that's 'just another Dracula film.'
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What I've learned is sometimes it's good not to have all the same actions and have all the same takes. The variety you provide gives the director later on in post-production the ability to construct a more interesting performance as he puts the movie together.
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My dream was to become a very small blonde movie star like Ida Lupino and those other women I saw up there on the screen during the Depression.
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My favorite movie ever is 'Bicycle Thieves.'
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I went to underground music studios. In the studios, I learned that you can make a movie without a permit.
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The best complement I ever got from the public or producers or directors is that I just totally blend in and become the character and they don't notice me and that the play happens or the movie happens or the TV show happens.
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I think of a book and a play, or a book and a movie, as two separate things - I don't think of it as my novel having a new life.
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My mother says to me, when I'm making a new movie, she says, "Oh, is Steve Buscemi in it?" I'd say, "Yeah." And she, "Oh, then it's going to be a good one." I swear to God, she says that every time. And when I say Steve's not in it, she says, "Oh."
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I think that building any product that has a lot of user loyalty is a bit like making a sequel to a great movie or video game - people generally want 'more of the same thing, except better and different.'
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I would say 'American Werewolf in London' is like an unconventional buddy movie: even if the buddy dies 20 minutes in, he still remains throughout the picture, and their partnership is one of the best things in the movie.
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In a movie like this, the relationship between the two guys is crucial. It sinks or swims on how these two guys are together. I think we did a good job.
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I'm still learning a lot as a songwriter. I try to write down and make a note of ideas that I cross paths with on a day-to-day basis, whether it be a conversation or something I hear on the radio, seeing a movie, or just thoughts in my head as I'm walking down the street.
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I'd much rather be in a movie that people have really strong feelings about than one that makes a hundred million dollars but you can't remember because it's just like all the others.
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The [film] business is run by men, and they're basically interested in their own species, and they're not so interested in women belonging to the human race.
