Movie Quotes
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Here's the thing - I'm single, I haven't been married, I don't have kids yet. If I do have kids I would be interested to see them in my life, so here's a movie for kids and I'm in there and I'm supposed to be kind of funny for kids.
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I got so far away from what they told you in acting class: Do something different. Producers kept offering me the 'Sister Act' movie, but I said, 'My fans don't want to see me in a wimple.' I literally said, 'My fans don't want to see me in a wimple.'
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I can tell you, if you shoot in the rain you're going to have a lot of voice ADR to do after the movie and voice looping, stuff like that.
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You don't have to know how to make a movie. If you truly love cinema with all your heart and with enough passion, you can't help but make a good movie.
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Just because it's in a movie doesn't mean it's real.
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God, I'd love to do a big commercial movie that made a lot of money and whose plot was interesting too.
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Despite recent speculation in the media, and after difficult but sincere consideration, I have decided not to direct 'Catching Fire.' As a writer and a director, I simply don't have the time I need to write and prep the movie I would have wanted to make, because of the fixed and tight production schedule.
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I'm my own artist, and I see artists as movies. No one should try to change them for anything. If you don't like it, you just don't follow it. And if you don't like a movie you don't watch it. Watch another movie.
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There's no point in making a movie just to be making a movie.
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'Life Aquatic' was the first movie I did, and it's been an incredible adventure since then.
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I've always wanted to do a boxing movie.
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There just is exponentially more money in the movie business than in the music business. As a result there are more people involved in the creative process.
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At the end of the day on 'Pete's Dragon,' if we didn't nail something, we could come back and pick it up later. I always knew there was a safety net built in that Disney would not let the movie fail. But in this case, with 'A Ghost Story,' it was all on the line.
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In case you haven't caught the commercials, I'm in the new SpongeBob SquarePants Movie.
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A movie contains literally tens of thousands of ideas. They're in the form of every sentence; in the performance of each line; in the design of characters, sets, and backgrounds; in the locations of the camera; in the colors, the lighting, the pacing.
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I grew up with the mindset that when you get home from work, you go to dinner and watch a movie. I don't want to be going to a club and taking off my panties.
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My flag is always flying. My shingle is always out. I'm always looking for movie ideas.
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I feel like my brain is more geared towards a novel than it is to a movie.
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I love telling stories about people that don't normally get written about. It's a different kind of life here. This is a movie from the heart, and it's a little different from the normal movies you'll see.
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The way I write is very much without kind of a goal. I have something I'm interested in and then I decide I'm going to explore it. I don't know where the characters are going to go, I don't know what the movie is going to do or what the screenplay is going to do. For me, that's the way to keep it alive.
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When the movie starts playing on TV and DVD, that's when you really see what the movie is.
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I'm not dark; I'm not. The main thing I consider in accepting a role is less the tone of the movie and more whether I think it's a good film, whether I like the character and whether I think I could do it. I don't think, 'Oh, I've done X amount of dark films.'
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In the future, I want a movie career, kids and a happy marriage.
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If I hadn't refused Ken Russell, Fellini and Spielberg and made their movies when they asked me, my life would be no different. It is not my fault that I accepted one movie and turned down another. I don't see any point in defending myself, either.
