Movie Quotes
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My mom always told me I could do or be anything I dared to dream, and I always wanted to work in the movie industry.
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I did movie star impressions as a kid in high school. Somehow they just got out of hand.
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A song in a musical works best when a character has to sing - when words won't do the trick anymore. The same idea applies to a long speech in a play or a movie or on television. You want to force the character out of a conversational pattern.
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A thriller is supposed to thrill you! So it's the plotting of the movie and the unveiling of the story which is important.
Nastassja Kinski -
I just think a lot of movies are too long. I want to know how to make my movie as tight as possible.
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In this movie, you have all the things you love from Tim. All the magic and the whimsy and the surreal, but he also has a fantastic story of a father and son that really gets under your skin.
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I would say 'American Werewolf in London' is like an unconventional buddy movie: even if the buddy dies 20 minutes in, he still remains throughout the picture, and their partnership is one of the best things in the movie.
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I'm a huge movie nerd.
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A movie like House of the Dead with around $7 million budget or Alone in the Dark with around $16 million budget are much easier to make profit than the typical $50 million major motion picture.
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I love that Bob Dylan asked me to be in the first movie he wrote.
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Now people want what the movie was about, which is violent comedy. And that's really what The Aristocrats is based on - what will a family do out of desperation.
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I'd love to do a costume drama movie. For no other reason, except that it sounds fun to me.
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I fall asleep to a movie every night! I don't have a go-to movie, but I like Netflix or whatever I can find. Usually, it's just noise in the background; I think it's damage from living in New York, where it's so noisy.
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Lionel Essrog, the twitching, barking, gabbling narrator of Jonathan Lethem's new novel, 'Motherless Brooklyn,' is no movie-of-the-week novelty grafted onto a noir mystery. Maybe his Tourette's is a gimmick, but it's a gimmick with depth, with soul.
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I think my least favorite hair color was the hair color that I had in 'Pitch Perfect 2.' They really wanted me to be dark red, and I wanted to be lighter like I was in the first movie, but they didn't want that. But I rocked some light red for a year, after it faded.
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When I worked on 2001 - which was my first feature film - I was deeply and permanently affected by the notion that a movie could be like a first-person experience.
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I wanted to make these people real, not like they were in a painting. Like these are people who don't know they're in a period movie. Those concerns are incredibly immediate.
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Even my parents are so cute, and they deal with every movie of mine excellently. They check with me ever so casually by asking 'Now how much of nudity are we going to see in this one?'
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The movie 'Black Cat,' from 1934, is one of my favorite movies.
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I love those moments in any movie or film where there's a reference to a bigger picture, especially in Marvel where everything is connected.
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In The Name of the King is the right title. To be honest, I don't know who had the final idea for the title but I liked it and it has a strong connection to the movie's story.
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I have no regrets. I wanted to raise the kids and be a present father. When I developed a movie, I was gone for a year. That didn't really work for me. That isn't fair to make these life-forms and then disappear.
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I always knew that all it would take was for the right director to put me in a movie.
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I think that building any product that has a lot of user loyalty is a bit like making a sequel to a great movie or video game - people generally want 'more of the same thing, except better and different.'
