Movie Quotes
-
It just so happened that my agent called and said, 'There's this movie 'Pitch Perfect.' Here are the sides.' I think I originally read for Bumper, because Donald didn't have much in the script, so I read all Bumper's lines. I beatboxed for them, because that's what my character was supposed to do. And then I was like, 'By the way, I rap.'
Utkarsh Ambudkar
-
A lot of actors just do whatever they do, and wherever the camera is, it is. They don't pay much attention, but I always did. I was always very close to the camera crew. They were my best buddies, no matter what movie or show I was doing.
Donna Mills
-
I get a little nauseous and disoriented watching 3D, but as a kid I loved it and I was really into it, so if a movie can be in 3D, then why not?
Emily Meade
-
I've gone far in the movie business, but no matter how far I go, every time I pick up the phone to call Tom Hanks or Robin Williams, I wonder if they'll call me back. And you know what? Sometimes they do, and sometimes they don't.
Dawn Steel
-
'Easy Rider' was never a motorcycle movie to me. A lot of it was about politically what was going on in the country.
Dennis Hopper
-
You play a part, and as soon as a movie is over and the camera stops, you go home and you're not really responsible for what you've done.
Nastassja Kinski
-
An ideal movie would be, like - to get this to happen, I have to work so much harder - but imagine Denzel Washington, Laurence Fishburne, Jamie Foxx, Eddie Murphy... Who else? Donald Faison. Directed by Steven Spielberg. That would be awesome.
Donald Faison
-
Even though I grew up in L.A., no one in my family was in the movie industry. I've always felt whatever the opposite of disillusioned is. I guess illusioned with movies and with people in movies and things like that. It's all exciting to me.
Alden Ehrenreich
-
We shot ten minutes of the movie, and now we're looking for completion funds.
Ed Wood
-
I first saw Walter Hill's second film, 'The Driver,' as a teenager, late at night on the BBC, quite possibly sitting too close to the telly. Given that this 1978 slice of neo-noir takes place almost entirely in the dark streets of a deserted downtown L.A., it's really a perfect midnight movie.
Edgar Wright
-
I left Mexico for artistic survival. If I had stayed, I would have been forced by the government, who control the movie business, to direct TV shows or commercials or infomercials for the government.
Alfonso Cuaron
-
Whatever big movie I work in, ultimately my concern is my personality. I make sure that I keep it up.
Keerthy Suresh
-
One of the bad things about being a filmmaker, about being me, is I can hardly read a book anymore because every time I read something, I have a poaching mentality, like, 'Oh, can this be a movie?'
Derek Cianfrance
-
There have been times when I've been asked to do things and I've thought, 'This is great! This is a great script. But, I do not believe myself in this role.' I pretend I'm the producer and I think, 'If I was making this movie, would I cast myself in this part,' and if that doesn't feel right to me, then I don't even go audition for it.
Billy Campbell
-
Nobody makes a movie about a woman in her mid-30s who wishes she could have met someone to have children with and still doesn't know where to find a date.
Uma Thurman
-
I'm a very eclectic person, and I enjoy multiple tastes; I'm like a bee who jumps from flower to flower. Before I die, I have to make a war movie, a Western, and a movie like Mike Nichols, because I love him.
Luca Guadagnino
-
Who doesn't like movies? Who has ever said, 'Hey, you wanna go see a movie?' 'Fuck that and fuck your movies! It’s ridiculous, the whole idea of it! It’s just wrong and fake and NO!'
Dane Cook
-
When you do well in a movie that's seen as really great, you're revitalized for six weeks.
Hank Azaria
-
When you work on a movie, you just have no idea how it's going to come out; you hope it's good, but you don't really know, and you don't see it until about six or nine months afterward, and I saw it and was pretty pleased.
Rachel True
-
Anytime you make a movie, the goal is a wide theatrical release, with the right distributor.
Eli Roth
-
I remembered watching the film from Alfred Hitchcock, 'Dial M for Murder,' and he shot almost all of that movie in one room. There was a genius in what Hitchcock did by manipulating things in that room so that you could see the distances between things like the tables and the vases because of how he used perspective.
Dario Argento
-
What I had noticed is that there weren't a lot of women lining up to see a comic book movie, but they were going to line up to see 'The Devil Wears Prada,' which may have been something I wanted to address.
Bryan Singer