Movie Quotes
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Making a movie is like an accelerated version of growing up with someone. You spend so many hours a day with each other, and you're putting your heart into this same effort.
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'Hairspray' was a movie turned Broadway musical turned Hollywood remake, and that is the 'Lion King' circle of life as we know it in Times Square, the creative loop that swings for the stars and sometimes crashes into the upper deck.
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Every time I'm shooting a movie I want to kill myself. Because I don't see the light in the end of the tunnel.
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I don't want to be Angelina Jolie. Not that Angelina Jolie is not the most talented, beautiful, successful, amazing, admirable person who does good things for the world, but I don't want to be a movie star like that.
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My biggest hero when I was a kid was Will Smith. I used to watch 'Fresh Prince,' and I was a huge fan of his albums. I bought all of his albums when I was a kid. Now, he is the biggest movie star in the world.
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There's so many things I'm dying to do. I wanna do a movie with horses.
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'Home' may be the best part and best movie I've ever had. I loved it.
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I'm looking to produce more stuff: TV shows, commercials, music videos and short films. I'm building my catalog so I can have some fun in between the times that I get to a movie.
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I think that if I'd not made the movie, I might be a veterinarian in Connecticut. I would probably be married with some children. That's probably the way it would be. But because of the film [the Exorcist], I don't have a normal life by somebody else's standards.
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I wish I could look back and say, 'OK here was a T.V. show or a movie that I thought was so perfect for me', or, 'I did such a good job that if I died tomorrow at least I could say I left that as my legacy.' But there isn't anything that falls into that category.
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If it helps me in the way that if this movie is successful, I get to make more films, great, and the more films that I make and the more interest that I'm allowed to cover, the better for me and the better, hopefully, for the people who like to watch me.
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It's one of those things where if I do a movie, I don't even know if I'm any good. So, I may do one and it sucks and I'm a horrible actor, and I'll never do another one.
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Yeah, I had an idea to make a very scary movie, based on a kind of serial murderer that preys on tourists.
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I like to be in a different place when I make a movie so that I can't really focus on anything else, and that is your world.
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I wouldn't mind producing a movie with a music storyline, but acting in one is too close to home.
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We manufacture a culture in the movie business, and whatever we put out creates a dark side and a bright side, too.
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There are definitely scripts I start reading, where it doesn't interest me. Maybe it'll be a good movie, but the character doesn't intrigue me.
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The first thing I did as a child was draw. I wanted to make animated movies. I think Disney's 'Cinderella' was the first movie I ever saw. 'Peter Pan' was the first movie I ever saw in the movie theater. I grew up with 'Dumbo' and 'Pinocchio' and 'Sword in the Stone.' Those were the movies I wanted to make.
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1925's 'The Lost World' is... really, everything a dinosaur movie should be. Like a dinosaur, this classic was once extinct too, existing as mere fragmentary footage and stills, but cinemaphile fossil-hunters have painstakingly excavated bits and pieces from obscure archives and assembled them into a nearly-complete animal.
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I'm approaching the idea of taking on a responsibility as great as saying, "I'm good enough to be in your movie." It's a huge statement to make, and every time I do it, I think, "Is this the right choice?"
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I think book adaptations, the best one to me is like 'Brokeback Mountain.' Which is a short story, 21 pages, that expands so beautifully into a movie.
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Sometimes when we weep in the movies we weep for ourselves or for a life unlived. Or we even go to the movies because we want to resist the emotion that's there in front of us. I think there is always a catharsis that I look for and that makes the movie experience worthwhile.
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'Diary of a Teenage Girl' was my first American movie. It was my first movie in an American accent. It's based on a graphic novel, which was written in 2002 by someone called Phoebe Gloeckner. It was turned into a play by Marielle Heller, who then wrote it as a screenplay for Sundance Labs.
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Nobody makes a movie about a woman in her mid-30s who wishes she could have met someone to have children with and still doesn't know where to find a date.
