Movie Quotes
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The fact 'Twin Peaks' had a life at all took most of us in the cast by surprise. We thought it would be too unusual for network television. The original intention was that it would be a two-hour movie. If the network didn't want to pick it up as a series, it could just show that. But ABC took a chance.
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I worked with James Orange and Hosea Williams as a teenager, and he's portrayed in the movie by Wendell Pierce. So, for me to be able to come in, 20 years after working with them as a teenager, and to portray Reverend James Orange in 'Selma' is mind-blowing.
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Lots of TV shows say that they are like doing a movie every week, but 'JAG' truly was a huge show. Lots of once-in-a-lifetime opportunities, like being launched off an aircraft carrier and being welcomed by military bases all over California.
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I was always the only black in the movie theater, the only black in class, the only black in the library, the only black in the discotheque. I always felt observed and judged.
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Sometimes when we weep in the movies we weep for ourselves or for a life unlived. Or we even go to the movies because we want to resist the emotion that's there in front of us. I think there is always a catharsis that I look for and that makes the movie experience worthwhile.
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I used to think that you could get to a level of success where the laws of the universe didn't apply. But they do. It's still life on life's terms, not on movie-star terms. I still have to work at relationships. I still have to work on my weight and some of my other demons.
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I don't know the figures, but Hollywood must buy 100 rights for every movie that actually gets made.
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If I was producing something, it wouldn't make sense to me to cast somebody because of who their father is because that doesn't put anyone in the seats in the theatre. I wouldn't go to a movie because that person's father is so and so.
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I'm really glad that I'm not Anna because I don't want to be there again. I've been there. But when something does happen to me, whether it's that movie or whether it's actually happened to me, I feel that it's my duty to actually share that with all of you guys. I want to immediately go to my desk and start writing about it.
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I just like the themes it's exploring. In the way my character says, 'I want us to become brothers again, like we used to be.' I really like that line, and it means a lot to me. I just find there's a lot of things like that in this movie that have that feeling. There's stuff that feels exhilarating.
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It was exactly what was released two months later with the exception of a couple of reaction shots which we went back in to get. I liked the movie very much and asked him what the studio's problem was. I felt that he was at a point where they might have worn him down.
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As a viewer, I never want any movie ruined for me, no matter what the genre is.
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You can have music and it will stand alone by itself, but you can't have a movie without it.
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In general, I hate films that are overtly either very masculine or very feminine, you know? The same way that I don't like a war movie about soldiers smashing people's heads. But a chick flick I like would be Cassavetes' movies. 'A Woman Under the Influence,' 'Husbands.'
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'Kiss Land' is like a horror movie.
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Sometimes I write about my own life. And sometimes I write about situations I see my friends going through. Sometimes I write about a scene I saw in a movie. I take inspiration from all different places.
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I don't think I could do what Woody Allen or Clint Eastwood or Ben Stiller do, where they direct a movie and they star in it. I would just be like, 'Oh, I don't even want to look at my face.'
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Listen, you make a big movie, you're going into the Coliseum, and people are going to give you the thumbs up or the thumbs down. And that's part of the game. It's part of the fun as well.
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I got to make 'Trishakti' with Arshad Warsi, who was a newcomer at that time. The movie took three years to complete and became dated by the time it was released. The movie did not even get a proper release and bombed at the box office. It was a very bad patch of my life and a big disaster for my career.
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Every time I make a movie I have too many characters and too many locations.
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One of the bad things about being a filmmaker, about being me, is I can hardly read a book anymore because every time I read something, I have a poaching mentality, like, 'Oh, can this be a movie?'
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I'm interested in animation. I actually feel like I've learned so much about the process how to make an animated movie.
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I think 'Comic Book: The Movie' is the apex of my career in terms of making a personal statement that has significance to me and resonates with biographical detail about not only my career, but all the people that I've worked with in my career. All of it's riddled, on- and off-camera, with people I've known and worked with for decades.
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One performs a very different act when reading a movie and when reading a novel. Your attention behaves differently.
