Movie Quotes
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I think that obviously, there is a perverse attraction to a fundamentally changed world or the end of the world. There is a death wish, a perverse death wish. Not just for ourselves, not just for the movie 'Death Wish,' but for the end of all human life.
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Reading something for the first time and getting this feeling like the material provokes you on some level, and doing the movie is really just sort of defining and figuring out why exactly you felt certain things when you read it.
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I want do a Mandarin language movie. It'll probably be the next movie I do after the one I do next.
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In regards to The Haunting, people compared it to the old movie, which is unfair. We didn't have the rights to the movie. I couldn't duplicate a single thing because that would have been legal infringement.
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I do a lot of things, and I'll get excited about them - maybe it'll be a song in a movie - and then it comes out, and you're like, 'Aww, that was cool, but it wasn't quite as big a deal as I thought it would be.'
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You don't get many chances in life to make a movie, and if someone says they don't like it, I say, 'I do'. I've made records before, and if someone said it sucked, it bummed me out.
Dito Montiel -
The first movie I can remember seeing in the theater was 'Return of the Jedi.' I can remember seeing Darth Vader's helmet come off. The shock of that moment.
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Seriously, who doesn't want to slap a 27-year-old movie star?
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When you make a movie, you know you're making a long-form thing, so the visuals are different than for a video where it has to be more obvious or in your face, I think, a little bit.
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In our day we went from - we went into saloons. We couldn't cross over like you can today, get a television series and all of a sudden you're a major movie star, you know.
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I have so many other things going on that if 'A Dirty Shame' is my last movie, that's OK.
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I never turned down a movie because they wouldn't give me enough money.
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When I stepped out into the bright sunlight from the darkness of the movie house, I had only two things on my mind: Paul Newman and a ride home.
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I directed this movie 'Jewtopia' that was based on a show I wrote which played Off Broadway for a number of years. I was trapped in 'Jewtopia'; it wasn't the film I wanted to make.
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The action-movie genre is a very difficult one to get satiated in terms of your acting bits.
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Maybe I should pretend like I'm not insecure, but I really am. This movie is going to come out and... will people like it? Will they like Rey?
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Salman Khan did not help me get movie offers. What rubbish! Will any producer take a risk of millions of rupees at the instance of any person? Everyone knows that the film industry is highly competitive, and one gets a job on one's talent only and not on any recommendation.
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The big French movie distributors are the Trojan horse of the American cinema.
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Unfortunately, considering that we Latinos are really big for movie companies when they have blockbuster releases or new cable shows, when it comes to the dynamic of supporting our own product, it leaves much to be desired.
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'Breakfast at Tiffany's' isn't a great movie because Audrey Hepburn is brilliant and everyone else isn't. It's a great movie because everybody is fascinating, and she is at the center of it being amazing.
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A generation before, it had been sagebrush and coyotes; a generation later, it was a burgeoning movie town. But for that brief idyllic time in 1910, Hollywood looked like the perfect place for a successful writer to settle down, build his dream house, and maybe do some gardening.
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I think it's the director's prerogative, not the studio's, to go back and reinvent a movie.
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I think every movie is its own little world, and a director certainly sets the tone.
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It was a great pleasure to make a movie again. Nothing is better; perhaps revolution, but there you have to succeed and be right, dangers which never attach themselves to making movies, and dreaming.
