Movie Quotes
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I just find the people I want to work with and put it all together, and it's a lot of hard work, and all kinds of catastrophes happen, but I don't really get too much resistance. But when you make a movie, it seems like there's nothing but resistance. It's kind of a miracle that any movie ever gets made.
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Sometimes I'll turn the channel and there's the movie and I can honestly say that those last few minutes always fascinate me. It's one of the rare instances when image, music, and drama work effectively.
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I don't think that Slaughterhouse-Five was successful movie material. In fact, Vonnegut's books mostly I don't feel are movie material.
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If I had to pick one scary movie, I'd go with John Carpenter's 'The Thing.' That's probably number one.
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I like being alone and I think this movie, as much as it is an investigation of connection and people bonding, I also think it's just as much about loneliness.
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I had dreams of conehead aliens when I was little. Before 'Saturday Night Live' did it. And then they came out with them, and I went on to be a glorified extra in the movie. When everyone else was laughing, I was scared.
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Usually, when I'm rappin', I'm creating a big story or a concept song that sounds like a movie to me.
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We don't have any rules about how we depict violence, or how much violence is in a movie. It's a calibration on a case-by-case basis.
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If I wasn't making a movie, I was trying to master a new musical instrument or trying to teach myself how to shave with a straight razor. I had to find the weirdest things just to increase my understanding of other cultures or other arts or intellectual pursuits.
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I would love to direct a movie, something I really like with a great cast. What a dream!
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There's an indie movie I did called 'Fat Kid Rules the World,' which was based on a teen book, and it's a fabulous story, and hopefully it'll go to theaters because it is an amazing story.
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I don't want to make movies for kids, and I don't want to make movies for adults either.
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When I was starting to get noticed as an actor in the 1970s for something other than the third cowboy on the right who ended up dying in every movie or episode, Burt Reynolds was the biggest star in the world.
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I hope to be involved in a successful movie script.
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If the film isn't suspenseful, i.e. the pressure cooker situation of what's going on in the movie, if that's not part of it, if the threat of violence and the temperature isn't always going up a notch every scene or so, then the movie is going to be boring. It's not going to work.
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You're making a movie, not a documentary. If you made a film like the historians would like you to make, you're not going to go and see it. I'd rather see paint dry.
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It's not a movie, no private screening This method acting, well, I call that living
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After the enormous success of All About my Mother, all the awards and everything, I wanted to start a movie in exactly the same place that I used to be before. I wanted to show that all of the success had not changed my perception.
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What's interesting is that producers, directors and writers tend to typecast me in terms of whatever movie they've seen me in most recently.
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People can criticise all day long, I think I've proven myself, I think I deliver. And I agree, box office does not mean a movie's good, but I feel like I'm making good movies and I'm delivering in box office.
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I think it is a mistake to identify a movie according to its language, as if movies were literature.
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It wasn't until the movie came out that it all changed for us. Some people say it was the start of Ten Years After, but in another way, it was the beginning of the end.
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I just love when a movie takes a break and gives you a poetic moment, but sometimes it's good when they just happen randomly. If your actors are really comfortable and you let the camera roll, sometimes things happen and you just see something that's visually iconic, or emotionally that way.
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I think the family movie is very important to everybody right now.
