Relevant Quotes
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I am withdrawing because I have come to view the part of the IPCC to which my expertise is relevant as having become politicized. In addition, when I have raised my concerns to the IPCC leadership, their response was simply to dismiss my concerns.
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The last collaborator is your audience ... when the audience comes in, it changes the temperature of what you've written. Things that seem to work well -- work in a sense of carry the story forward and be integral to the piece -- suddenly become a little less relevant or a little less functional or a little overlong or a little overweight or a little whatever. And so you start reshaping from an audience.
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I spent 15 years of my career trying to convince people that Indian cinema is relevant. I am so proud of Indian cinema and I am so proud of my Indian roots. The IIFAs are doing a great job to this effect.
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As you are touching the human life and human kind, any work is always relevant.
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In any event, the proper question isn't what a journalist thinks is relevant but what his or her audience thinks is relevant. Denying people information they would find useful because you think they shouldn't find it useful is censorship, not journalism.
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I wrote a work of history, I looked at over 500 sources - I spent three-and-a-half years on the project. I think the most gratifying and wonderful thing about the reaction is that people are learning things from the history that feel relevant to today.
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In some conditions, the architecture of textile is more relevant than in other conditions or the opacity of the material form. Pattern in the world of scarce materiality and a hybridity becomes a way of creating a new authenticity. Sometimes there is a certain kind of nobility of a group of materials literally of the earth, which had a certain nobility of presence, but is very different from the materials we have now.
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I'm still grappling with all the things most people resolve by the time they're 35. Maybe that's why I make music that is relevant to young people. I'm emotionally stuck at the age of 13.
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It's always relevant - moving forward into the future and finding out who you are. I think those themes never get stale.
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I think maybe that as time goes by there will be more newness but because I was part of what it was before it's not like coming into a house and saying it's all about me. I don't feel like that. It really is all about McQueen and the things that he was trying to say and about moving that forward, making it relevant, making it desirable, making it into what people want to wear.
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I've had lots of fans who come out and say, 'Listen, I can relate to Cyborg because I lost a limb,' or 'I have this cochlear implant.' It's one of those things when you actually start seeing it, when you actually start hearing about it, that made Cyborg more relevant to me than I think he ever had been up until that point.
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I'd rather call it "instrumental creative music," especially the music that I've been doing. If a person would hear that music, they would undoubtedly call it "jazz." There is this whole generation of musicians that are playing and thinking critically for themselves and making music that's relevant to today. I hope that's the objective of a lot of musicians.
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When I was taking art history I was always angry that we would skip certain chapters because "it wasn't important." Like, "Let's skip over the Japanese. Let's just get to Giotto, because that's where everything begins." It's like, no. Everything is relevant to me.
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Poetry isn't as relevant in the Western world as it is in Afghanistan. And not many people make time for something that doesn't feel relevant.
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Theres a lot to be said for bands who fight to be relevant. But CONVINCING people you're relevant? Thats like telling people its not raining when they're soaking wet.
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Collage has been one of the most relevant forms of art making. It's resonant because it is made of the stuff that we see every day. It's familiar. It reflects our reality.
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I am senting many books for endorsement purposes, which enables me to stay relevant in my own field, and I have people that help me decide which ones I should read and endorse.
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Abstraction is a mental process we use when trying to discern what is essential or relevant to a problem; it does not require a belief in abstract entities.
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So many writers come to class with one question dominant in their mind, 'How do I make a living from this?' It's a fair enough question and one I always try to answer well- but it saddens me that it so often overshadows the more relevant questions of 'why am I writing' and 'what am I saying' and 'how do I keep it honest.
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Most agents hate prologues. Just make the first chapter relevant and well written.
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I found with my students they don't necessarily look at journals any more, but they print right away from the internet what's relevant to what's he doing you see.
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I chose Congo in order to become close to a place that we had turned away from. It isn't present in our imaginations, in the stories we tell each other. Yet it's relevant to our lives and to our worlds, in a practical way. Congo supplies raw materials for the things that we use on a daily basis. We are intimately linked to Congo, economically. We're linked to it through human events that are occurring there, that affect all of us, and yet you don't find narratives of Congo present in our lives.
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As in political revolutions, so in paradigm choice-there is no standard higher than the assent of the relevant community... this issue of paradigm choice can never be unequivocally settled by logic and experiment alone.
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I have been advised that you have decided to move forward with your story without my interview. This, despite the fact confirmed more than three weeks ago that I would make myself available on a date certain (6 July), after you spoke to other relevant Church personnel and toured Church facilities, and that I would provide information annihilating the credibility of your sources including the fundamental crimes against the Scientology religion that were the reasons for their removal from post.
