Shekhar Kapur Quotes
I spent 15 years of my career trying to convince people that Indian cinema is relevant. I am so proud of Indian cinema and I am so proud of my Indian roots. The IIFAs are doing a great job to this effect.
Quotes to Explore
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When I was travelling in Rajasthan people were waving hands, and it felt like I was visiting my own constituency.
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I love doing impressions of politicians because the task is always to imagine the private lives of these people whose job it is to project an image of staunch, unflinching leadership and grace, and that's just not how human beings, in their heart of hearts, work.
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I'm a national security liberal, which I tell people because it's meant to sound absurd.
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Strauss' water activities, which highlight both its social responsibility and commitment to the environment, meet a genuine need of people around the world today.
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A lot of people want to discredit me.
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Fashion has always been a source of stress for me because I don't know how to dress myself. I'm short-torsoed with big boobs, and I don't really understand what a belt does. But you get on these shows, and people fit the clothing to you, and suddenly you learn, 'Oh, I should be wearing petite jackets.'
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Anybody who says they don't want to be seen on a show which has millions of people watching it at one time when they're in the business of selling records is a bit silly.
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UFC is a moneymaking machine. The most important thing for this organization is a brand and its marketing. They have a couple of good fighters, and there are also some very good champions, but they are trying to keep everyone at the same level. The most important thing for them is the promotion, not the fighters.
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I rewrite my books many times before submitting them, and after my editor takes a look I wind up rewriting some more! It's a good thing I learned at an early age to keep on trying. Stick to it, and eventually you'll get there.
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I've heard people say in the U.N. community among mediators they don't like women as mediators because they're too quick to compromise.
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I hope to have more than one main weapon. I have the Phenomenal Forearm as we're calling it now, the Calf Crusher - the Styles Clash is still available. I like to have a lot of alternative moves to hit people with, and whatever seems to work is what I'll go with.
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Today, to allege corruption seems to be the pastime of most people. All kinds of allegations are leveled. I think it is self-defeating.
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There just is exponentially more money in the movie business than in the music business. As a result there are more people involved in the creative process.
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The land on which the cattle grazed was communal property. It was owned by no one. It was nobody's private farm. It was the common property of the people, shared by the people. So the practice of sharing was central to the concept of ownership of property.
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I always liked the visuals to be choice and at the same time minimalist. And, I love black boxes. After all, that's what theatre is, it's an empty space, and it's both limited and unlimited because the space is the space, but what you can do with people's imaginations is really endless.
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People don't really call me a rapper. They call me Mr. 'Trap Queen'. The 'Trap Queen' Guy.
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I would like people to recognize in looking at my story that the person who has the most to do with what happens to you is you. It's not the environment, it's not the other people who were there trying to help you or trying to stop you. It's what you decide to do and how much effort you put behind it.
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People used to say my music was too difficult or too obscure, and I never set out to be difficult or obscure. I just set out to write what I felt as honestly as I could, and I am delighted when other people feel a part of themselves in the music.
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My publishers are wonderful because they have let me write what I wanted to. They're wise enough to know that, with any author who's not simply writing formulas - who's trying to create something new - pressuring them to do something for market purposes almost always backfires. I can't imagine working under those circumstances, actually.
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I would run into the corner store, the bodega, and just grab a paper bag or buy juice - anything just to get a paper bag. And I'd write the words on the paper bag and stuff these ideas in my pocket until I got back. Then I would transfer them into the notebook.
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I don't think my principles change. I think the way in which you apply those principles to modern society changes.
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The blues comes right back to a person's feelings, to his daily activities in life. But rich people don't know nothing about the blues, please believe me.
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This world of ours is a new world, in which the unit of knowledge, the nature of human communities, the order of society, the order of ideas, the very notions of society and culture have changed, and will not return to what they have been in the past. What is new is new, not because it has never been there before, but because it has changed in quality.
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I spent 15 years of my career trying to convince people that Indian cinema is relevant. I am so proud of Indian cinema and I am so proud of my Indian roots. The IIFAs are doing a great job to this effect.
