Photographer Quotes
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The photographer discovers himself/herself being photographed and we can guess he is uncomfortable. Unsuccessfully he/she tries to recompose his posture and to look like a photographer taking photos. But no, he is and continues to be a spectator. The momentous fact of being photographed leads him to becoming an actor. And, as always, actors must assume a role, which is only an elegant way of avoiding to say they must choose sides, choose a faction, take an option.
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Searching is everything - going beyond what you know. And the test of the search is really in the things themselves, the things you seek to understand. What is important is not what you think about them, but how they enlarge you.
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When you work fast, what you put in your pictures is what your brought with yoiu - your own ideas and concepts. When you spend more time on a project, you learn to understand your subjects. There comes a time when it is not you who is taking the pictures. Something special happens between the photographer and the people he is photographing. He realizes that they are giving the pictures to him.
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Perhaps the street photographer has been replaced by the security camera.
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One thing that Life and I agreed right from the start was that one war photographer was enough for my family; I was to be a photographer of peace.
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At 42, I decided to become a photographer because it offered a means of creative thought and action. I didn't rationalize this, I just felt it intuitively and followed my intuition, which I have never regretted.
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It's not how a photographer looks at the world that is important. It's their intimate relationship with it.
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Max Kozloff said to me one day, ‘You’re not really a photographer. You do photography, but you do it for your own purposes – your purposes are not the same as others’. I’m not quite sure what he meant, but I like that. I like the way he put it.
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I would like to become a better photographer. I'm working on that.
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Sometimes I envy painters, it is wonderful to remain in front of a bouquet of flowers a whole morning, or even longer. A photographer is like a cloud, pushed all around, always dependent on the exterior world. That's what I sometimes feel as a pain and an error.
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The thing itself is never just out there in the world waiting to be framed by the photographer's Leica; rather, it is something dynamically produced in the act of representation and reception and already subject to the grids of meaning imposed on it by culture, history, language, and so forth.
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The wandering photographer sees the same show that everyone else sees. He, however, stops to watch it.
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I have no doubt about a photographer in particular and a digital artist in general having become contemporary icons.
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The camera cannot, but the photographer can.
