Photographer Quotes
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On my YouTube channel, I put up 3-4 videos a week, and I spend a lot of money to maintain that content. When I travel, I travel with a videographer and a photographer no matter what.
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The goal for the photographer is be visually articulate.
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What is right? Simply put, it is any assignment in which the photographer has a significant spiritual stake...spiritually driven work constitutes the core of a photographer's contribution to culture.
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I was a photographer first.I worked alone. I did it my way as much as I could. I have been sort of courageous about doing things, because I didn't think I should do less than my brothers.
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You are either born to be a photographer or not. The art of photography is not something you can learn in the classroom or by watching someone do it.
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Photographers can either look out the window at the world or they can look in the mirror.
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I do what I feel, that's all. I am an ordinary photographer working for his own pleasure. That's all I've ever done.
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Traditional photojournalists arrive with an idea of what they are going to produce or what the editor wants. I approach a subject very much as a street photographer and a wanderer, without preconceptions. I try to leave it extremely intuitive and exploratory.
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A great photographer shares what they fear losing most
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We are extremely precise about the girls we like; they're not necessarily the "It" girls of the season. Sometimes this "It" girl business gets a bit hysterical. It's all about which girl did which shoot with which photographer.
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The most dangerous thing I've ever encountered was a run-in with Boko Haram around 2007 in a small town in Nigeria. I got caught along with the photographer I was working with, the same one I worked with on the Afghanistan book, Seamus Murphy. We were caught in an attack by a mob after Friday prayers. And the level of violence was so extreme. It was more violent than any other mob violence I have ever seen.
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I have always done the opposite of what I was trained to do... Having little technical background, I became a photographer. Adopting a machine, I do my utmost to make it malfunction. For me, to make a photograph is to make an anti-photograph.
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What you need to be a good photographer is an overwhelming curiosity and a good digestion.
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One of the most important pieces of equipment, for the photographer who really wants to improve, is a great big wastepaper basket.
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...I don't see myself as a documentary photographer. I am more drawn to the image itself, rather than to the description of a scene. And, anyway, every image only halfway represents reality, whereas the other half is rather, more or less, fulfilling our imagination.
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After all these years of wandering around as a street photographer and a journalist, I decided that this world is such a curious, screwed up place so full of contradictions... that I couldn't look at it any more in the raw form without trying to find some way of balancing it in a more philosophical context - less in a reportorial manner and more in an artistic one.
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Herein lies the main objective of portraiture and also its main difficulty. The photographer probes for the innermost. The lens sees only the surface... .
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Even though photographers are only shooting the outside, beauty is more about who you are as a person - the life you lead - not your facade.
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The camera only facilitates the taking. The photographer must do the giving in order to transform and transcend ordinary reality. The problem is to transform without deforming. He must gain intensity in form and content by bringing a subjective order into an objective chaos.
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There is an urgent need to examine old opinions and look at things from a new viewpoint. There must be an increase in the joy one takes in an object, and the photographer should become fully conscious of the splendid fidelity of reproduction made possible by his technique. Nature, after all, is not so poor that she requires constant improvement.
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A photographer cannot be inexperienced, or too mature. A photographer ought to be half-ripe.
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There’s no shooting with the law of probabilities, otherwise you should just be a filmmaker and just point the camera and trigger. That’s called making film. If you’re a photographer, it’s about waiting for those decisive and clear moments.
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Well, I liked it - that was the main thing. I liked it, but I didn't think of it in terms of a career. I didn't really know; I didn't really think about it. One thing just led to another until finally I quit my job as a salesman and found myself working as a photographer.
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I had this notion of what I called a democratic way of looking around, that nothing was more or less important.
