Photographer Quotes
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There’s no shooting with the law of probabilities, otherwise you should just be a filmmaker and just point the camera and trigger. That’s called making film. If you’re a photographer, it’s about waiting for those decisive and clear moments.
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Even though photographers are only shooting the outside, beauty is more about who you are as a person - the life you lead - not your facade.
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What is right? Simply put, it is any assignment in which the photographer has a significant spiritual stake...spiritually driven work constitutes the core of a photographer's contribution to culture.
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The most dangerous thing I've ever encountered was a run-in with Boko Haram around 2007 in a small town in Nigeria. I got caught along with the photographer I was working with, the same one I worked with on the Afghanistan book, Seamus Murphy. We were caught in an attack by a mob after Friday prayers. And the level of violence was so extreme. It was more violent than any other mob violence I have ever seen.
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Photography just gets us out of the house.
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The Latin American photographer has the possibility, and the means, for naming the things of our world, for demonstrating that there is another kind of beauty, that the faces of the First World are not the only ones. These Indian, black, plundered white and mestizo faces are the first element defining the demographic content of our photography.
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...I don't see myself as a documentary photographer. I am more drawn to the image itself, rather than to the description of a scene. And, anyway, every image only halfway represents reality, whereas the other half is rather, more or less, fulfilling our imagination.
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Photographers can either look out the window at the world or they can look in the mirror.
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A photographer cannot be inexperienced, or too mature. A photographer ought to be half-ripe.
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You are either born to be a photographer or not. The art of photography is not something you can learn in the classroom or by watching someone do it.
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I do what I feel, that's all. I am an ordinary photographer working for his own pleasure. That's all I've ever done.
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The goal for the photographer is be visually articulate.
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We are extremely precise about the girls we like; they're not necessarily the "It" girls of the season. Sometimes this "It" girl business gets a bit hysterical. It's all about which girl did which shoot with which photographer.
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One of the most important pieces of equipment, for the photographer who really wants to improve, is a great big wastepaper basket.
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Well, I liked it - that was the main thing. I liked it, but I didn't think of it in terms of a career. I didn't really know; I didn't really think about it. One thing just led to another until finally I quit my job as a salesman and found myself working as a photographer.
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The head of the photographer is more important than his camera.
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After all these years of wandering around as a street photographer and a journalist, I decided that this world is such a curious, screwed up place so full of contradictions... that I couldn't look at it any more in the raw form without trying to find some way of balancing it in a more philosophical context - less in a reportorial manner and more in an artistic one.
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The camera only facilitates the taking. The photographer must do the giving in order to transform and transcend ordinary reality. The problem is to transform without deforming. He must gain intensity in form and content by bringing a subjective order into an objective chaos.
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Traditional photojournalists arrive with an idea of what they are going to produce or what the editor wants. I approach a subject very much as a street photographer and a wanderer, without preconceptions. I try to leave it extremely intuitive and exploratory.
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I didn't want to be a woman photographer. That would limit me. I wanted to be a photographer who was a woman, with all the world open to my camera.
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A photographer without a magazine behind him is like a farmer without fields.
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Recording sessions were stimulating to photograph, because everything was in motion: the subject, the musicians, the technicians and the photographer. You needed fast reflexes to keep up with moving targets, and sensitivity and skill to get the pictures while keeping out of the performers' eyeline so as not to break their concentration.
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The Concerned Photographer produces images in which genuine human feeling predominates over commercial cynicism or disinterested formalism.
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I never knew anyone who came close to Marilyn in natural ability to use both photographer and still camera. She was special in this, and for me there has been no one like her before or after. She has remained the measuring rod by which I have - unconsciously - judged other subjects.
