Labels Quotes
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Why do you have to choose what type of woman you are? Why do you have to label yourself anything?
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I'm a big fan of the American Tapes label. But that's very hard to keep a grip on that because you blink your eyes and they've released three records, all of which are limited edition, all sold at one show. So you have to follow in drips and drops on eBay, which I do.
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Labels such as, 'evangelical', 'fundamental', 'charismatic', 'liberal' contribute to polarization and produce a climate of implied or outspoken distrust. Respectful dialogue becomes virtually impossible. What we desperately need to offset this disunity and distrust is a new and cleansing theology of communication.
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I've always ignored the labels people put on things.
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I escaped the [Southern-writer] label because I didn't and don't write about the South.
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What I do Coco would have hated. The label has an image and it's up to me to update it. I do what she never did. I had to find my mark. I had to go from what Chanel was to what it should be, could be, what it had been to something else.
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All labels are offensive in some way.
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I don't use labels a lot.
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Furthermore, I shall explain the nature of dharmata: Such a nature as this cannot be determined to be any one thing. So however you label it, that is how it appears.
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I wanted to put out a solo record because I was stuck on a major label and sick of it.
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I think that women are often lumped into categories - single gals, or soccer moms, or career women, or women of a certain age. For some reason our society wants women to wear labels, and not only on their clothes.
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Identity itself should be not a smug label or a gold medal but a revolution.
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The first act of insight is throw away the labels.
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The media is going to stick a label on records. And the public is going to pick it up from that. And that's what I was getting sick of-the whole analyzation thing.
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We just watch anything speed by. To stop and really ponder what a product label says, or the tagline on a TV commercial, might be inherently silly. Those are things that are almost designed to be thrown away.
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It was important to me to find a label that wouldn't back out after a first single. Everyone's so used to hearing me with Hootie, they're going to be skeptical.
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I want to be able to do what I want to do. A lot of times, the major labels, they can't see the vision, they can only see the dollar signs. So, it doesn't really work out like that.
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When you sign with a major label there is no guarantee that they are going to release it either unless you have a guarantee clause or a marketing clause.
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As far as being on a major label, some labels get it and get what they have to do, and some labels don't. I don't think the label I'm on necessarily gets it, but I think over time they're gonna have to.
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When we started OD2 in 1999, we were really expecting to work more with independents and so on because the major labels were spending millions on their own Pressplay and equivalents online, which haven't been very successful.
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My record producer [David Kahne] said the major record labels these days are like dinosaurs sitting around discussing the asteroid. They know it's going to hit. They don't know when, they don't know where it's coming from. But it's sort of hit already. With iTunes, and all of that.
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To be black and an intellectual in America is to live in a box. On the box is a label, not of my own choosing.
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Labels are for cans, not people.
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Since so much of the poetry machine is consumed in and with the mirroring and the reproduction of what is already preexistent, I don't understand why such paranoiac conservatism is dedicated to labels. It's a way of controlling the "other," to label them.
