Singing Quotes
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Singing was the big focus and outlet for me.
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Half the battle is selling music, not singing it. It's the image, not what you sing.
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Precisely because we do not communicate by singing, a song can be out of place but not out of character; it is just as credible that a stupid person should sing beautifully as that a clever person should do so.
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Singing beautiful melodies is one thing, but to deliver the text so that the people understand it, even in a foreign language, has to be worked at very hard.
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When I hear myself singing, I hear Iggy Pop and Jimi Hendrix. There's a conversational thing going on. I suppose it depends on which The Pretenders song you're listening to.
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I was asked to sing with Mavis Staples on a gospel compilation called 'Oh Happy Day.' And, you know, other than being totally intimidated at the prospect of singing with Mavis, I was honored. I don't really have much of a background in gospel music.
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I'm not interested in how well someone can sing. It's what you're singing that interests me.
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I grew up in a tiny village on top of a mountain and have been skiing and singing all my life!
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I'm hoping to do more with my music. I did the stage musical 'Spring Awakening' recently and it reignited the love I have for singing.
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I'm not the singing cookbook lady.
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I loved being a soprano. It was one of my very favorite things in life, and thus far, and losing that voice was a profound emotional moment for me in my life. I never became that interested in my adult male singing voice.
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I grew up in The Bronx. I mean, I was born and raised in New York City. And I started singing in Spanish because I was always just connected to my Latin roots.
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I played soccer for nine years, so I took that route instead of singing. I played on the outside team as well as in school, so I was always playing soccer. It wasn't until I moved back to London that I really, like, started investing in music again and realized, OK, yeah, this is definitely what I want to do.
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I don't want to be singing Satisfaction when I'm 40.
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I'll only stop singing when I'm in my grave.
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My first singing role was as Susanna in a school production in a shortened form of Mozart’s The Marriage of Figaro. I loved to sing and I was given lots of encouragement by a wonderful music teacher Mrs Ann Hill and by my parents who suggested I go to drama school.
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In songwriting, I needed language. And I always believed in singing about what I do.
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I was a big Guns N' Roses fan when I was seven. My friend who lived across the street had long dark curly hair and I had long blonde hair, so I'd dress up as Axl and she'd be Slash, and we'd rock out in front of the mirror singing 'Patience.'
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Coming from my bedroom in San Antonio to this big world and going from singing covers off my laptop to making music in this nice studio, making professional-sounding music - it's just weird.
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Acting and singing are actually very similar because they're both telling a story.
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I personally don't know what nerves are. I don't get scared when I'm going to play music. But I think something, maybe my fears, are buried into my songs. Because I'm singing them.
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I think a lot of what you do in acting, and for the most part singing and dancing and everything, is trial and error. It's all about just seeing what works, and if it does, to use it, and if not, to throw it away.
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All my songs were solo voices. Just me singing. In fact, that was the gimmick - no gimmick. Just singing straight with not too much background.
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When I was nine, we'd take a bus to the seaside. Coming back, we'd take turns entertaining, singing songs and the like. I tried some stand-up comedy. I had a captive audience in that bus. Then I realized I wanted to do more than that.