Singing Quotes
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My father was very interested in music, and when he and his brothers were young, they had a singing group that used to open for Sam Cooke. There was always music in our house, but there wasn't much art around.
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When I’m singing “Deanna,” for example, which I sing pretty much every night, it brings forward a kind of imagined, romanticized lie about this particular person, which I find really comforting and exciting to sing about.
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Singing is a way of releasing an emotion that you sometimes can't portray when you're acting. And music moves your soul, so music is the source of the most intense emotions you can feel. When you hear a song and you're acting it's incredible. But when you're singing a song and you're acting it's even more incredible.
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The singing was something I got from my father.
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The first time I stepped on stage and I started singing, I knew that I wanted to do it for the rest of my life.
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I was full of energy, and I had a lot of bottled up rage that would come out in my stage performances. It was therapy sessions for someone who couldn't afford to go to therapy, a way to release my frustration, my inhibition. When I was little, growing up in an abusive household, I felt like I didn't have a voice. Suddenly I was on stage and people were watching me and listening to me, so even if I was singing about something that didn't have to do with abuse, when I was on stage I could express all of the anger, the rage.
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I see myself following my dream to keep singing and acting.
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I should curl up in a ball and cry. Instead i think about everything in the whole entire world that makes me angry - There is a lot, oh, there is a lot - and I start singing Justin Bieber at the top of my lungs.
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Playing and singing at the same time is pretty cool, but sometimes it's difficult to know when you can just really let go a bit because you've got to get back to bloody microphone and sing some stuff.
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I want people to know me for my singing. I've never been searching for a label of being a fashion plate or a top model. That's a thing that's very short-lived, and it's dealing with a superficial level of this which doesn't really appeal to me.
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Music for me is not just being on a stage and singing. It's my coping mechanism.
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I did not want vocal groups. I was not interested in singing with a group because there's too much problem with groups in the first place.
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I've been dancing all my life and studied at Joffrey Ballet when I was 13 and singing all my life.
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Sometimes when you belt, it kinda makes the song more dramatic than it really needs to be. There are certain songs that you hear, and you're like, 'Wow, he's singing about his girlfriend, but he sounds kinda mad the way he's yelling, 'You're so pretty!''
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I'm always nervous about singing...always. It may be one of the only things I sweat about.
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I was always excited by the idea of having my own company, but models are rarely serious when they venture off into something else, be it acting, singing, or starting their own business.
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I sang in the coffee houses . . . in the early 60's with no idea of success in terms of records or television. I just thought I was a storyteller. I had this deep, bassy voice. But I had incredible passion for the music I was singing.
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The Supper is still singing.
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I don't have a nice singing voice! Particularly if I've had a few beers, that's when I'll get up and go on the karaoke. I'll usually try to murder a Frank Sinatra song like 'My Way'. In my head I sound exactly like him, but when you watch the footage back, evidently not!
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All religions. All this singing. One song. Peace be with you.
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The singing tells everybody what to do musically.
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Our shows have always been sort of an all-generations thing, people from 6 to 60. The other night, we played a show and we had a woman who was probably 70 to 75 years old, and she was there alone and she was singing every song. On the other end of the spectrum, there was a 7-year-old on his dad's shoulders and the dad is singing along.
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Well, the most important thing in choreographing for a specific tune is to get the story line and try to make your movements, rather than just actual movements, let them become more or less a physical drama to, to what they were singing about. And uh, also, uh, honor the beat and the rhythmic pattern of the musical track.
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I kept hearing I'd be traded to San Francisco. Man I would love that. I even went so far as to go into the locker room singing 'I left my heart in San Francisco'. Nobody laughed or said a word. I figured maybe I'd get my wish
