Drawing Quotes
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Someone asked me if I was afraid to write my memoirs. I told him: 'We have to stop drawing up accounts of fear! We live in a society in which people are allowed to tell their story, and that is what I do.'
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As long as I can remember, I've always loved to draw. But my interest in drawing wasn't encouraged very much.
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There are times to be casual and times to be correct. It's all right to wear a sweater and slacks on a picnic, but they don't belong in the theater or the drawing room.
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There are days when I'm completely depressed and able to do only one drawing.
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I had always been kind of obsessed with making a home of my own and was always drawing rooms that I wanted to live in, down to pictures on the wall and the faces that would be in the photographs.
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Most normal boys, as they're growing up, they - in order to become attractive, they might, you know, get good at sports or join a rock band or develop good social skills, and for some reason, I thought that drawing comic books might be my route.
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There is but one fountain of comfort for a man drawing near to his end, and that is the Bible. ...All comfort from any other source is a house built upon sand.
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I always knew I wanted to create. I used to sit in my room for hours drawing and making things. I once got into trouble for cutting up my mother's lampshades to make a dress. I was three.
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At the age of five years to enter a spinning-cotton or other factory, and from that time forth to sit there daily, first ten, then twelve, and ultimately fourteen hours, performing the same mechanical labour, is to purchase dearly the satisfaction of drawing breath. But this is the fate of millions, and that of millions more is analogous to it.
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I have been surrounded by artists and paintings throughout my life. My father Ted Dyer is an artist, and from a very early age I have spent time painting and drawing.
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I am unable to comment on who may or may not be Banksy, but anyone described as 'good at drawing' doesn't sound like Banksy to me.
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I draw all the time. Drawing is my backbone. I don't think a painter has to be able to draw, I just think that if you draw, you better draw well.
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I have made a solemn vow never to send my drawings because people have cheated me. In particular, just today I found... that, having done a drawing of souls in Purgatory for the Bishop of St. Gata, he, in order to spend less, commissioned another painter to do the painting using my work. If I were a man, I can't imagine it would have turned out this way.
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The artist who parades his drawing, the writer who calls attention to his style, is like the farmer who devotes his energies to polishing farm implements and never uses them.
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Drawing is still basically the same as it has been since prehistoric times. It brings together man and the world. It lives through magic.
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There is an instinctive understanding that the cultural, social and political development of a nation is a dynamic process which has to be given purpose and direction by drawing on tradition as well as by experiment, innovation and a willingness to evaluate both old and new ideas objectively.
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I have learnt sketching, drawing, singing, dancing, rifle shooting, paragliding.
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I try to think of the social function of fiction as drawing the individual toward larger social and political questions. But I'm also very comfortable in saying that my novel - any novel - doesn't matter as much as larger questions of how we can see justice done.
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I've been drawing my whole life. My mom says my sister and I were drawing by age 1. Animation seems a real, natural extension of drawing as a way of telling a story visually.
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The most distinguishing element of my novels is that I try as hard as I can - within the context of a popular commercial thriller - to make them feel authentic. Drawing on real locations and real events is part of that authenticity.
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In this drawing we just let our imagination run wild. We visualized Superman toys, games, and a radio show - that was before TV - and Superman movies. We even visualized Superman billboards. And it's all come true.
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If we get to the design sensitivity and make no detections, then there are a lot of things that will have to go back to the drawing board theoretically. If we fail, we're not expecting that the NSF will help bail it out somehow.
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What you do is, you have your drawing board and a pencil in hand at the telescope. You look in and you make some markings on the paper and you look in again.
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I sometimes think there is nothing so delightful as drawing.
