Drawing Quotes
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Supreme Court Justice Ruth Bader Ginsburg fell asleep during Obama's speech. She woke up with the other justices drawing a gavel on her face.
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MUCKY drawing I AM FeeLing completely mucky today too. everyone at school seems so much tougher + pulled together and not so emotionally involved. I get so mad at MYSELF FOR 'caring so deeply' AND 'MAINTAINING' all this stuff in me that FEELS SO PATHectic. I want to put my tHINKing in HYBernation FOR A WHile.
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I think there's a mystery to drawing - to the weight of the lines. The sweep of a line around a corner to create an effect that someone is moving.
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I'd like to study the drawings of kids. That's where the truth is, without a doubt.
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I try to think of the social function of fiction as drawing the individual toward larger social and political questions. But I'm also very comfortable in saying that my novel - any novel - doesn't matter as much as larger questions of how we can see justice done.
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I draw all the time. Drawing is my backbone. I don't think a painter has to be able to draw, I just think that if you draw, you better draw well.
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In the studio, I don't do a lot of work that requires repetitive activity. I spend a lot of time looking and thinking and then try to find the most efficient way to get what I want, whether it's making a drawing or a sculpture, or casting plaster or whatever.
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I like drawing people in the airport or on the bus or in venues. I like catching people in the moment. It's a similar inspiration for me in terms of songwriting.
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I have been surrounded by artists and paintings throughout my life. My father Ted Dyer is an artist, and from a very early age I have spent time painting and drawing.
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It looks to me to be narrow and pedantic to apply the ordinary ideas of criminal justice to this great public contest. I do not know the method of drawing up an indictment against a whole people.
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I had always been kind of obsessed with making a home of my own and was always drawing rooms that I wanted to live in, down to pictures on the wall and the faces that would be in the photographs.
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Hitler made a film about 'Hitler gives a camp to the Jews'. And they look all shiny. And they're drawing. And they're playing volleyball. And people are dancing. And people are having a wonderful time. And everybody fell for it.
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I am unable to comment on who may or may not be Banksy, but anyone described as 'good at drawing' doesn't sound like Banksy to me.
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While Franklin's quiet memory climbs to heaven,Calming the lightning which he thence hath riven,Or drawing from the no less kindled earthFreedom and peace to that which boasts his birth;While Washington's a watchword, such as ne'erShall sink while there's an echo left to air.
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I don't feel when I'm writing that I'm drawing from any other writer, but of course I must be. The writers I've admired have been not so very different from myself: Evelyn Waugh, for example, that kind of crystalline prose. And I've always admired W. Somerset Maugham more than any other writer.
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All the other kids in ninth grade were drawing hot rods and cocker spaniels and getting blue ribbons in art class. I was getting rejection slips from the 'Saturday Evening Post.'
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In 1971, I put together the 'Johnny Face' drawing as a concept, with the words as part of an image in a circle. Combining my abstract drawing with the headline 'Crazy World Ain't It' created an emblem and became a button.
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You know how much I admire Che Guevara. In fact, I believe that the man was not only an intellectual but also the most complete human being of our age: as a fighter and as a man, as a theoretician who was able to further the cause of revolution by drawing his theories from his personal experience in battle.
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I always liked doing all sorts of different things. As a kid growing up, I was always drawing and painting - always doing art. But I also loved movies and music, so as I started doing everything, I liked every aspect. It's not really that I am a control freak; it's just that is what I love.
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Many museums are drawing audiences with art that is ostensibly more entertaining than stuff that just sits and invites contemplation. Interactivity, gizmos, eating, hanging out, things that make noise - all are now the norm, often edging out much else.
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I was taught to draw very well when I was in school at Boston. And I grew to enjoy drawing so much that I never stopped.
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It always amazes me that Japanese comics have, like, 200 pages. How do they do that? They're fat books; it's a whole different kind of comic that's very close to their films. So I'm drawing from that history and bringing it here - bringing it to Katana.
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I had two major activities as a child. I was trying to put on shows with kids in my street, or I was drawing. Actually, what I'm doing now is exactly what I was doing then. Either I'm drawing, or I'm gathering people for a common project. The only difference is that now they are paying me for that.
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I've been painting and drawing and taking pictures as long as I've been writing music - and I've actually been drawing longer than I've been writing music.
