Drawing Quotes
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'Targeting' is polite ads-speak for the data levers that Facebook exposes to advertisers, allowing that predatory lot to dissect the user base - that would be you - like a biology lab frog, drawing and quartering it into various components, and seeing which clicked most on its ads.
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If you're drawing a Western town, you can duplicate that Western town from instinct alone. Some artists may take it from other illustrations or duplicate what you've drawn, but it will never have that gut reality that's instinctive in the artist.
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I don't like leaving work behind. I hate the idea that something might be happening on the drawing board at home that I am going to miss.
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When you are older, you realise that everything else is just nothing compared to painting and drawing.
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I was a halfway-decent-looking English boy who looked nice in a drawing-room standing by a piano.
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It is not sufficient for the young to devote their enthusiasm, their courage, their ambition, their self-sacrifice to the great ideas of the time; the young must not only preserve but increase their powers if they are to be really equal to their eternal task: that of drawing the age in advance.
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I have learnt sketching, drawing, singing, dancing, rifle shooting, paragliding.
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British fashion is self confident and fearless. It refuses to bow to commerce, thus generating a constant flow of new ideas whilst drawing in British heritage.
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I started drawing when I was about 2, mostly pictures of my mother and my sister. When I got into school, instead of taking the notes that I should have been taking, I was drawing in all of my notebooks. It was an artwork thing for me at first.
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And me I'm in my bedroom drawing in my notebookBecause my hand thinks I'm an artistBut my heart knows I'm a poetIt's just words they mean so little to me.
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Make a drawing. Start it all over again, trace it. Start it and trace it again.
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I like drawing people in the airport or on the bus or in venues. I like catching people in the moment. It's a similar inspiration for me in terms of songwriting.
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Whether a watercolor is inferior to an oil [painting], or whether a drawing, an etching, or a photograph is not as important as either, is inconsequent. To have to despise something in order to respect something else is a sign of impotence.
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The best sort of activity is one that combines mental effort with sensuous delight. That's why I love drawing.
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The chance to interact with big shots is drawing scads of aspiring entrepreneurs to Quora, along with venture capitalists and other Valley players.
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I think there's a mystery to drawing - to the weight of the lines. The sweep of a line around a corner to create an effect that someone is moving.
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The music starts as being way separate from the lyrics, and I write - I have notebooks that I fill with drawings and just words, and stuff that I've written.
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I study orbital dynamics as a hobby. My idea of a good time is sitting down and drawing on that knowledge to imagine a space mission from beginning to end, getting as many details right as I can.
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Surely there is something to be said for drawing a circle around our attention and remaining within that circle. But how large should this circle be?
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I always loved singing, but I thought it was like drawing - just something you do in your own little corner to calm yourself down. But when my friend, the French songwriter Etienne Daho, listened to my songs, he was so moved that told me that I had to do a demo, share them with the world.
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As long as I can remember, I've always loved to draw. But my interest in drawing wasn't encouraged very much.
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Not to make him blush, but any story illustrated by Mike Mignola does things that prose alone can't accomplish. The illustrations create mood and atmosphere, drawing the reader more deeply into the story than words could do on their own.
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I was literally 3 years old when I started drawing. I did it all my life, through primary school, secondary school, all my life. I always, always wanted to be a designer. I read books on fashion from the age of twelve. I followed designer's careers. I knew Giorgio Armani was a window-dresser, Emanuel Ungaro was a tailor.
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I had to find a way in each picture to change the drawing, shaping and tactile qualities to make these elements expressive; as the color had subsumed the possibility the possibility of these parts being on a equal basis of expressiveness.
