Drawing Quotes
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I was aware that the teaching of drawing was being stopped almost 30 years ago. And I always said, 'The teaching of drawing is the teaching of looking.' A lot of people don't look very hard.
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I was always most interested in drawing - most of my childhood drawings are black-and-white line work. And when I kind of abandoned comics, through college and art school, I was doing a lot of painting. But once I started doing comics again, everything else just fell by the wayside.
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I've been drawing since I was five years old.
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I find that I'm constantly drawing. Even when I'm on holidays or when the baby's sleeping, I'll just start doing some automatic drawing, something like that, and then it will turn into a piece, even though I thought I was just doodling.
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Writing a mystery is like drawing a picture and then cutting it into little pieces that you offer to your readers one piece at a time, thus allowing them the chance to put the jigsaw puzzle together by the end of the book.
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I've always loved painting and drawing. I wish I'd developed it more and exhibited.
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I wrote a lot. I was in programs for drawing when I was a kid.
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The legislative department is everywhere extending the sphere of its activity and drawing all power into its impetuous vortex.
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I'm very passionate about art, music, drawing, acting, so I'd like to have the chance to get the larger choice regarding acting.
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Hunting, fishing, drawing, and music occupied my every moment. Cares I knew not, and cared naught about them.
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I do feel like no matter what you're doing, whether it's music or writing a play or a poem or drawing a picture or painting something, that you're speaking to what is it you want to express, what is it you want to see.
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I do feel like animated films really combine a lot of different of art forms: film-making and writing and drawing and painting - to a certain extent, even sculpting. It's a wonderful medium to work with as a craftsman because it's such so rich and so varied and so expressive.
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I've been drawing since I was a little kid, but it's not something I love to do every day. If there's one thing I love to do every day, it'd probably be acting. I can act every day. I'd happily do it, you don't have to pay me. But that's one thing I'd love to do and get paid for.
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Pure drawing is an abstraction. Drawing and colour are not distinct, everything in nature is coloured.
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The artist who parades his drawing, the writer who wishes to attract praise to his style, resemble the soldier who plumes himself on his unif onn but refuses to go into battle, or the farmer who polishes the ploughshare instead of driving it into the earth.
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Why not take a science fiction comic and put the characters in a small town to gain their particular perspective? A lot of that comes from me growing up in a small town on a farm, so that's what I know and what I'm comfortable with. My drawing style is also very sparse and minimalist, so a rural setting complements that.
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I wouldn't want to be defined so much by comics or cartoons. My work is more narrative than that. If you take your basic cartoon, there's always a punchline or a joke at the end. My drawings don't depend on that so much.
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I have a theory that I did most of my observing probably before I was twenty, stored it, and am still drawing on it.
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I take inspiration from books, movies, television, music - it all goes in the hopper. Depending on the project, I'm drawing from this or that piece of art that has stayed with me. Toni Morrison, George Romero, Sonic Youth - they are all in there.
Colson Whitehead -
I see the iPad as a wonderful new drawing medium, but I am at a loss as to how to make it pay.
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It's inevitable that everyone's first drawing they draw is much like their fingerprint. It's inescapable that one has an identifiable style. It's not a major issue with me, but I never wanted to have a distinctive signature style so much.
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So this is how it is to be done. It is clear that in the Ostmark, the eastern region of the Reich, objects are now to be handled with care. Every silver candlestick is to be weighed. Every fork and spoon is to be counted. Every vitrine is to be opened. The marks on the base of every porcelain figure will be noted. A scholarly question mark is be appended to a description of an Old Master drawing; the dimensions of a picture will be measured correctly. And while this is going on, their erstwhile owners are having their ribs broken and teeth knocked out.
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I've been through a lot of ups and downs. I've been on both sides of it all, I guess. So there's not one specific event or thought that I'm dealing with or drawing from necessarily.
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They looked great, you know the drawings of the guys playing looked great and bits of string around their necks. So it didn't seem to be that difficult a thing to do, or that inaccessible.
