Drawing Quotes
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Film is a very collaborative medium. If you're smart enough, you learn how to maintain your vision while drawing resourcefully from all the people around you.
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I do feel like no matter what you're doing, whether it's music or writing a play or a poem or drawing a picture or painting something, that you're speaking to what is it you want to express, what is it you want to see.
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So this is how it is to be done. It is clear that in the Ostmark, the eastern region of the Reich, objects are now to be handled with care. Every silver candlestick is to be weighed. Every fork and spoon is to be counted. Every vitrine is to be opened. The marks on the base of every porcelain figure will be noted. A scholarly question mark is be appended to a description of an Old Master drawing; the dimensions of a picture will be measured correctly. And while this is going on, their erstwhile owners are having their ribs broken and teeth knocked out.
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I have a fairly limited drawing style. I'm not like my friend Derek Kirk Kim, who can pretty much change his style at will. My drawing style can handle some of my stories, but not all of them.
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Those who are in love with practice without knowledge are like the sailor who gets into a ship without rudder or compass and who never can be certain whether he is going. Practice must always be founded on sound theory, and to this Perspective is the guide and the gateway; and without this nothing can be done well in the matter of drawing.
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Writing and drawing comics for the sheer joy of it - that's true bliss.
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I do feel like animated films really combine a lot of different of art forms: film-making and writing and drawing and painting - to a certain extent, even sculpting. It's a wonderful medium to work with as a craftsman because it's such so rich and so varied and so expressive.
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It wasn't until I discovered comics that I actually began to approach drawing as a possible career.
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Do you know that drawing with words is also an art... ?
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Lose your inhibitions about drawing and just do it.
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I really don't see any influence of my work on any artists. But I do think I've had an influence on drawings' being shown. I've had an influence on the economics of it.
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Drawing and masturbation were the first sacred experiences I remember.
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Isn't the drawing board the place where all the best work happens? It's not a bad thing to go back there. It's the entire point.
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If the gag is complicated, you spend more time thinking about the way you’re drawing it.
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I was always most interested in drawing - most of my childhood drawings are black-and-white line work. And when I kind of abandoned comics, through college and art school, I was doing a lot of painting. But once I started doing comics again, everything else just fell by the wayside.
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I ended up reading comics and just started drawing at a very young age. By high school, I was putting together longer stories. In college, I started doing strips for the newspaper and doing mini-comics. It sort of grew in scope and scale over time.
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I wrote a lot. I was in programs for drawing when I was a kid.
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I was aware that the teaching of drawing was being stopped almost 30 years ago. And I always said, 'The teaching of drawing is the teaching of looking.' A lot of people don't look very hard.
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Skip meeting him? The butterflies, the pounding heart, the blushing? The part where you enter each other's magnetic fields for the first time, and it's like invisble lines of energy are drawing you together-
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If you have an idea, you have to move on it, to make a gesture. Drawing is an immediate way of articulating that idea - of making a gesture that is both physical and intellectual.
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If I try to articulate every little detail in a drawing, it would be like missing the forest for the trees, so it's just about getting the outline of the forest.
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I've been drawing since I was five years old.
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This simple idea served to provide information on the geometrical shape of reacting molecules, and I was able to make the role of the frontier orbitals in chemical reactions more distinct through visualization, by drawing their diagrams.
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The artist who parades his drawing, the writer who wishes to attract praise to his style, resemble the soldier who plumes himself on his unif onn but refuses to go into battle, or the farmer who polishes the ploughshare instead of driving it into the earth.
