Drawing Quotes
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What I've found about 'Cinderella' is that what it provokes in an audience is really extraordinary. It appears to be a deceptively simple tale, but I've heard nothing but people drawing all different things out of it.
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The uncertain and imprecise way of constructing a drawing is sometimes a model of how to construct meaning... The ethical and moral questions...in our heads seem to rise to the surface as a consequence of the process
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Your mental attitude gives your entire personality a drawing power that attracts the circumstances, things and people you think about most!
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When I was a little girl my parents always told me do everything you want in an artistic way. If you want to draw, make a drawing. Just do it. And if you want to play piano, play piano. It was a very free childhood where everything was possible.
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A good advertisement is one which sells the product without drawing attention to itself.
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During my Austin years, I was drawing a regular strip for the University Of Texas newspaper, going to school, delivering blood, and trying to change my approach and 'style' as much as I could, since I knew that I'd calcify as I got older.
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I find that I'm constantly drawing. Even when I'm on holidays or when the baby's sleeping, I'll just start doing some automatic drawing, something like that, and then it will turn into a piece, even though I thought I was just doodling.
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They looked great, you know the drawings of the guys playing looked great and bits of string around their necks. So it didn't seem to be that difficult a thing to do, or that inaccessible.
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Rhythm is a perception of time... when drawing, the tiredness of the hand is a rhythm.
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I wouldn't want to be defined so much by comics or cartoons. My work is more narrative than that. If you take your basic cartoon, there's always a punchline or a joke at the end. My drawings don't depend on that so much.
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My drawing, like that of most cartoonists, is intended first of all to be functional: to create believable space and communicate information. My strongest point in drawing has always been my ability to show characters' nonverbal communication through facial expression and posture.
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I keep drawing the trees, the rocks, the river, I'm still learning how to see them; I'm still discovering how to render their forms. I will spend a lifetime doing that. Maybe someday I'll get it right.
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I burned out my drawing hand by using it too much. The common word for it is writer's cramp. The fancy words for it are focal dystonia. The symptom in my case was a pinky finger that went spastic when I tried to draw.
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I've been through a lot of ups and downs. I've been on both sides of it all, I guess. So there's not one specific event or thought that I'm dealing with or drawing from necessarily.
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The legislative department is everywhere extending the sphere of its activity and drawing all power into its impetuous vortex.
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I have a theory that I did most of my observing probably before I was twenty, stored it, and am still drawing on it.
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I used to think Shoji Hamada never drew, until there was a book by Bernard Leach published about his work Hamada: Potter, Tokyo; New York: Harper & Row, 1975 and at the rear of the book were a number of wonderful little sketches, but they were not drawings like Bernard made.
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One of my earliest jobs drawing was 'Wonder Woman: Our Worlds At War,' with Phil Jimenez, which was a really cool jaunt through her history. I got to draw this two-page spread that was set in the Golden Age.
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Since childhood, I have been painting, for no special reason, numerous dots and nets, drawing from the hallucinations that seem to appear endlessly. I can't explain why if you ask me.
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Express yourself through your art - whether it’s your drawings in a sketchpad, tattoos on your skin, the shade of your lipstick, or the clothes that you wear.
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I see the iPad as a wonderful new drawing medium, but I am at a loss as to how to make it pay.
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I've had my own personal stalker. I would get nude drawings of my body with a knife and a message saying 'I'm watching you' and 'I'm going to get you.'
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There is nothing in any object, consider'd in itself, which can afford us a reason for drawing a conclusion beyond it; ... even after the observation of the frequent or constant conjunction of objects, we have no reason to draw any inference concerning any object beyond those of which we have had experience.
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My wife will go, 'You know, you're drawing a shoe right now.' I do that all the time.
