Drawing Quotes
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Breathing involves a continual oscillation between exhaling and inhaling, offering ourselves to the world at one moment and drawing the world into ourselves at the next.
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Hunting, fishing, drawing, and music occupied my every moment. Cares I knew not, and cared naught about them.
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As long as I can remember, I was drawing or trying to create something.
Chad Hurley -
I'm just finding that when I'm sitting down and drawing the pages, it always takes me in a different direction than what I had in mind in my head.
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I've been through a lot of ups and downs. I've been on both sides of it all, I guess. So there's not one specific event or thought that I'm dealing with or drawing from necessarily.
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What's the good of drawing in the next breath if all you do is let it out and draw in another?
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I really don't see any influence of my work on any artists. But I do think I've had an influence on drawings' being shown. I've had an influence on the economics of it.
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I just love drawing on past human cultures; that's a thrill for me.
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I have been watching and drawing the surface of Mars. It is wonderfully full of detail. There is certainly no question about there being mountains and large greatly elevated plateaus.
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I started drawing in first grade. Because the kid next to me was drawing, and I remember thinking: I want to be able to do that!
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A drawing is simply a line going for a walk.
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I'm drawing from two generations back how to think about music, how to think about why you travel to make music, what the possible pitfalls of that are for the way your life is structured. The good and bad of all of it get into the mix of what's created, what you're creating.
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I used to think Shoji Hamada never drew, until there was a book by Bernard Leach published about his work Hamada: Potter, Tokyo; New York: Harper & Row, 1975 and at the rear of the book were a number of wonderful little sketches, but they were not drawings like Bernard made.
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The most beautiful colors laid on at random, give less pleasure than a black-and-white drawing.
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My drawing, like that of most cartoonists, is intended first of all to be functional: to create believable space and communicate information. My strongest point in drawing has always been my ability to show characters' nonverbal communication through facial expression and posture.
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Drawing is the sum of directions.
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I am only an artist, my job is to make drawings not to make sense.
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Drawing is the skeleton of what you do and color is its flesh.
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Prayer is a rising up and a drawing near to God in mind and in heart, and in spirit.
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I have a fairly limited drawing style. I'm not like my friend Derek Kirk Kim, who can pretty much change his style at will. My drawing style can handle some of my stories, but not all of them.
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Shoji Hamada seldom drew an exact drawing of a pot that he was going to make.
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I keep drawing the trees, the rocks, the river, I'm still learning how to see them; I'm still discovering how to render their forms. I will spend a lifetime doing that. Maybe someday I'll get it right.
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Drawing is a kind of hypnotism: one looks in such a way at the model, that he comes and takes a seat on the paper.
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Many thanks for your letter and the Gauguin woodcuts.. .One can see, incidentally, that Gauguin had Persian miniatures, Indian batik and Chinese art in his very blood. The shapes of the birds and the horse show that clearly. But although it looks very well, Gauguin can't stimulate us present-day artists much. We need a direct route from life to plastic form. And we get it by perpetually drawing everything we see.
