Drawing Quotes
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Shoji Hamada seldom drew an exact drawing of a pot that he was going to make.
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I was drawing professionally by the time I was 12. I used to do very detailed sort of photorealistic pen-and-ink work, and I burned out on it around, like, high school. And cartooning really got me back into drawing.
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I think most people see drawing as subservient to the subject, a sort of meditation, a studying, a searching observation, in my case, for its own sake.
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All the plots of hell and commotions on earth have not so much as shaken God's hand to spoil one letter or line he has been drawing.
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I began to realize that for two years my life had been a drawing on resources that I did not possess, that I had been mortgaging myself physically and spiritually up to the hilt.
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Drawing is the root of everything.
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It is my entire visual art practice: I eat, sleep, think, write about and do drawing.
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I don't usually go in for reviews of buildings that aren't yet built, since you can tell only so much from drawings and plans, and, besides, has there ever been a building that didn't look great as a model?
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The first ten thousand drawings are the hardest. Put another way, you have ten thousand bad drawings within and should expel them as quickly as possible.
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I'm drawing in my head pretty much.
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If you intend to make a living at drawing, by all means learn it the rules of perspective now, and do not have them bothering you and your work for the rest of your life.
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We will be drawing down some troops. If the president wants to try to turn that into the beginning of a success, he actually, I think, has some opportunity.
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Our little drawing Room Constable's lodgings at Hamptstead with a view on London commands a view unequalled in Europe - from Westminster Abbey to Gravesend - the dome of St Paul's in the Air - realizes Michael Angelo's Idea on seeing that of the Pantheon - 'I will build such a thing in the Sky.'
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The reason I love comics is that they DON'T move, and there is NO sound. As a creator I have to evoke those elements in the drawings and writing, and the reader has to create those elements in their own minds.
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It's inherently a part of my childhood and my development as a person and an artist, this childlike feeling knowing that something is missing but not quite knowing how to fix it. I'm always drawing on it.
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..and the first thing for he artists of Die Brücke was free drawing from the free human figure in the freedom of nature.. .We drew and we painted. Hundreds of paintings a day, with talk and fooling in between, the artists joining the models before the easel and vice versa. All the encounters of everyday life were incorporated in our memories in this way. The studio became the home of the people who were being drawn; they learned from the artists and the painters from them. The picture made took on immediate and abundant life.
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I don't have the story finished and ready when we start work on a film. I usually don't have the time. So the story develops when I start drawing storyboards. I never know where the story will go but I just keeping working on the film as it develops. It's a dangerous way to make an animation film and I would like it to be different, but unfortunately, that's the way I work and everyone else is kind of forced to subject themselves to it.
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If Bernard Leach didn't like the drawing, he'd X it out and do another one and change the form a little bit. And when he was all done, he would stuff these pieces of paper in his pocket and go off to the pottery, and when he wanted to make pots, he would then take these out and he'd begin to produce the pot that he had designed on paper in front of us.
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Drawing Lavi’s smile eases me precisely because he has such a sad fate.
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My one failing as an artist is that I depend on reference material to perhaps a greater extent than I should. Delacroix said that if you can draw a man falling out of a window and have the drawing finished before he hits the ground then you're a real artist. I wasn't that kind of artist.
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The nation that will insist upon drawing a broad line of demarcation between the fighting man and the thinking man is liable to find its fighting done by fools and its thinking by cowards.
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I have been to several wars to draw. I went to Vietnam. And made drawings in Vietnam during that period of the war there, and found that to be a very very sad situation.
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You have to make thousands and thousands of drawings before an illustration is perfected.
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No man is quite so much a hero in the dark as in broad daylight, in solitude as in society, in the gloom of the churchyard as in the blaze of the drawing-room. The season and the place may be such as to oppress the stoutest heart with a mysterious awe, which, if not fear, is near akin to it.
