Art Quotes
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I've always had an interest in story-telling and history and just film and art in general, but particularly when it comes to storytelling, I think the reason why we became involved in film is because we wanted to get some great stories out there.
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One of my favorite things about art, especially at a gallery, is hearing people talk about the art. I find it quite amusing.
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Constrained optimization is the art of compromise between conflicting objectives. This is what design is all about. To find fault with biological design - as Stephen Jay Gould regularly does - because it misses some idealized optimum is therefore gratuitous. Not knowing the objectives of the designer, Gould is in no position to say whether the designer has proposed a faulty compromise among those objectives.
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I think I got disappointed over the years about New York, about the States. You know, sometimes you go and visit Europe and see good old socialism in its good part! You see public concern about art, and young people's participation and young faces in the audience.
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Árt is dead. Long live Tatlin's new machine art.
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I think that's what all art is for - for people to express what it is to be human. That's the purpose of it.
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Intimacy is a difficult art.
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Music, art, landscape - these are all things I draw inspiration from.
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Art is inside of you; express yourself.
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She danced because she needed to. She needed to say things which could be said in no other way, and she needed to take her meaning and her living from the saying of them.
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Learn the art of the pitch and of messaging.
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There is too much talk of cooking being an art or a science – we are only making ourselves something to eat.
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From the idea that the self is not given to us, I think there is only one practical consequence: we have to create ourselves as a work of art.
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Standards wars involve lots of variables, and understanding them often seems more an art than a science. They generally involve just two big players, and end in a winner-take-all situation.
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How can you worry about pleasing people critics and what they're going to think? How can you do anything creative if the whole thing is motivated by trying to please somebody else? To me, the whole idea of what I thought art, or music, or anything creative was about pleasing yourself and hoping that whatever you're creating will reach someone else who'll see it on that level. To worry about someone picking it apart and discussing it element for element, and trying to knock you down or weaken it in any way doesn't amount to anything but a waste of paper.
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I was taught that you can't be a healthy individual without art, music, or nature in your life. All my art is tied into inner cultural experience. It has to do with music or ceremonies or nature, even the funny ones.
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'Friends' is easy to dismiss, but it's really good television - the art with which those actors play with comedy shouldn't be denigrated. And they also know how to play irony, which I think a lot of English actors might find quite difficult.
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Best fight ever in a movie: 'They Live.' I want to do a martial arts version of that, where you think it's ended, and it just keeps on going. I love that fight. It was funny as well. Unexpected.
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The parasite of art, the virus of art, never ceases to gnaw awat at your brain, never ceases to torture you with the knowledge that whatever you’re doing could be done more beautifully, more powerfully, more stirringly, more disturbingly, more deeply.
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...If our houses, or clothes, our household furniture and utensils are not works of art, they are either wretched makeshifts, or, what is worse, degrading shams of better things.
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Now there is a big turnover in the galleries. The top galleries are getting better all the time. A lot of galleries just struggle along, then a new one comes along. There are certainly a great number of galleries. I think this argues well for the art but there are, of course, a lot of "phonies" in all the arts.
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I don't like making didactic, pedagogical documentaries based on standard formulas of narration: I'm only interested in the ambitious French tradition of the documentaire de création where the film, if successful, is not about something but that something itself. The goal is to incorporate areas of risk and paradox that we associate with cinematic art.
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This is the merit and distinction of art: to be more real than reality, to be not nature but nature's essence.
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Shall I compare thee to a summer's day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer's lease hath all too short a date . . .
