Romance Quotes
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Without romance, films will be boring. I doubt if people now understand romance, though they may claim it otherwise. I am very romantic in real life.
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Romance is very pretty in novels, but the romance of a life is always a melancholy matter. They are most happy who have no story to tell.
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A real love story is sometimes exhausting. A romance is deliberately constructed to yield a certain result; the ambiguities are trimmed out, so it's neater and more pleasing to our hearts. But you don't live a love story, you live a life.
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Colleen McCullough taught me that desire is the heart of romance.
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Pluck from under the family all the props which religion and morality have given it, strip it of the glamour, true or false, cast round it by romance, it will still remain a prosaic, indisputable fact, that the whole business of begetting, bearing and rearing children, is the most essential of all the nation's businesses.
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Oh yeah, I'm a huge romance fan. And some women like action.
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Wave after wave of love flooded the stage and washed over me, the beginning of the one great durable romance of my life.
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What excites and interests the looker-on at life, what the romances and the statues celebrate, and the grim civic monuments remind us of, is the everlasting battle of the powers of light with those of darkness; with heroism reduced to its bare chance, yet ever and anon snatching victory from the jaws of death.
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There is usually less romance in marriage than in any other relationship of life. But the general idea concerning marriage is that it is all or nearly all romance.
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A period romance film with elements of horror. That was successful, because I feel like Coppola's DRACULA was one or the other. You know? It was never scary it was never a film he got invested in the romance of the characters. He understood it, but he never got invested. So it as a challenge for me to see if I could do that, I still don't know how audiences will sort of react to that.
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None of the male characters are as powerful or as interesting as the four central female characters. The men work best as representations of the current stage of a particular female’s psyche. The men function as catalysts, and are certainly important to the development of the story, but the relationships are not the goal. I do not see romance as being what’s central to the success of PRETTY LITTLE LIARS.
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I love romance. It goes back to the films I watched as a kid.
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To me, there was an interesting movie to be made about two people who had been on that whirlwind romance and what happens after the fairy tale wedding. And this thought coincided or coalesced when I was at a wedding of a friend who got married to somebody that literally everybody in the congregation thought that you definitely should not get married to. This was the worst idea either of you have ever had.
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I know that some endeavor to throw the mantle of romance over the subject and treat woman like some ideal existence, not liable to the ills of life. Let those deal in fancy who have nothing better to deal in; we have to do with sober, sad realities, with stubborn facts.
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The whole period seemed to come alive to her sensitive imagination,--the people of the times, substantial and courageous, walked and talked with her. For the first time she was sensing to-day a romance in her own Midwest, a glamour over the lives of her own people. She wished she could hold to her heart the fleeting sensation until she could get pencil and paper. She wished she could catch it and hold it between the covers of a book.
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Romance takes place when you first fall in love. It stirs all emotions and you can manipulate and be manipulated.
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Sometimes parents loved their sons so much that they made a romance out of their lives. They thought our youth could help us overcome everything. Maybe moms and dads forgot about this one small fact: being on the verge of seventeen could be harsh and painful and confusing. Being on the verge of seventeen could really suck.
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I like the idea of not having a definition of love and romance. The greatest love stories have been about people who haven't come together. More stories like that need to be explored.
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I'm always interested in playing different people, in different situationsIt doesn't matter to me whether someone is in love with a man or a woman. I find the idea of love and romance interesting. I'm a sucker for it. I like playing someone who's falling in love because I like the sensation of it. People do extraordinary things when they're falling in love.
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In college - while figuring the things out that most people do in college - I had no game. No confidence. I had Birkenstocks. And overalls. A budding romance novel addiction. But no cool. No poise. I was trying on a thousand different personalities, but a lot of them were formed by the perceptions of others.
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When it's a comedy or drama or horror or romance, it's all the same. You want to be honest with the character. You want to play truthfully and you want to be genuine with your character.
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You can't make an action movie without action, and so, you can't make a romance movie without romance.
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Spiritual connection does not mean romance
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For me, I sort of felt like it was kind of a fairytale... but an interesting one. I don't know of anybody who has had a romance quite like this, but I certainly know people who have stuck it out.
