Book Quotes
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My agent, Jeff Andrews, suggested I write a book. For some reason. he doesn't like it when I'm not doing anything.
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I was very priggish as a child. I saved up for a book on medieval English nunneries, for which I was despised by my friends.
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For my generation - the "Children of Nixon," as I call us in the book - the Lebanese civil war was an iconic event. Downtown Beirut became a metaphor for so many things: man's inhumanity to man, what Charles Bukowski called "the impossibility of being human." It shaped our perceptions of war and human nature, just as Vietnam did for our parents. We used it to understand how the world works.
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A parentologist is a person who writes a book about parenting that is very clear about answers to, 'How am I supposed to raise my child?' Some of these well-intentioned people may be a bit too sure-footed on the sometimes slippery slope of parenting.
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I used to actually work in a comic book stores in New York.
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It's such a complicated thing to put a movie together. The book world is so much simpler.
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It was funny how dad was more honest in a book that anyone in the world could pick up and read than he could be talking to me. Or maybe it was sad. One or the other. Sometimes it’s hard to tell.
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Why would one ever be so insane as to ditch a perfectly beautiful metaphor? Cut back, of course, prune if you like, so that the best metaphors are clear and sparkling. But I will throw out unread the book that promises me no metaphors inside.
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A lot of people will think I changed the book: ‘so you’re the tiger instead, you’re the tiger who ate the cook.’ That’d be totally expository, like in the book, ‘you’re the tiger’ and then it stops there. That seems to have the magic touch. I bring everything together. That’s why he made up the story, the whole thing becomes internalized. That might be the magic, but all I did is not so much interpreted, but try my best to keep everybody still staying in the movie. And I was like, ‘God, it’s so hard to do.’ I make movies for a long time. It doesn't get easier.
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The logos of creation, 'And God Said ...' formed the basis of Christian interpretation of the 'Book of Nature.'
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I came to a dead stop and began major revisions. Sometimes these entailed the shredding of all existing manuscript for a fresh start - an inefficient way to write a book, though I found it exciting.
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I spent all day in front of a digital screen, but I'm about to curl up with a book.
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Somewhere in this process, I begin reading and showing my book to my audience. When I say my audience, I mean a single imaginary child who is a blend of myself as a young person, the students in my wife's classroom of first- through third-graders, and the students from two classrooms I visit regularly in the Bronx, New York.
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I've been through the whole western world, and it seems to me that there's more retail floor space devoted to the sale of books than food! There's more retail floor space devoted to the sale of books than there's been in the entire history of humanity! It's grotesque!
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I always turn in my books on time, so you can always count on a book coming out when it's supposed to.
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I was a big reader as a child. My father is a great book lover and a librarian, but he forbid me to read bad literature. I was not allowed to read Nancy Drew or books like that. I often say to him that me becoming a crime author is both a way of pleasing him and annoying him.
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Brian Walker and David Salt have written a thoughtful and powerful book to help resource users and managers put resilience thinking into practice and aim toward increasing the sustainability of our world. I urge public officials, scholars, and students in public policy programs to place this volume on their list of must-read books. It is a powerful antidote to the overly simplified proposals too often offered as solutions to contemporary problems at multiple scales.
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I have always loved 'Stig of the Dump.' I think reading that book made me officially realise that I was a reader.
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I actually didn't listen to the Beatles song 'Nowhere Man' when I was writing my book of the same name. What I listened to a lot was 'Abbey Road.' Its disjointedness and its readiness to confuse only to delight were inspiring to me.
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At different times and in different places I have come to expect certain books to look a certain way, and, as in all fashions, these changing features fix a precise quality onto a book's definition. I judge a book by its cover; I judge a book by its shape.
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There's a lot of loneliness in a book tour. A lot of grilled cheese sandwiches alone in your hotel at night.
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If you take a book of a thousand pages on the Second World War, in which 50 million people died, the concentration camps occupy two pages and the gas chambers ten or 15 lines, and that's what one calls a detail.
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One night a friend lent me a book of short stories by Franz Kafka. I went back to the pension where I was staying and began to read The Metamorphosis. The first line almost knocked me off the bed. I was so surprised. The first line reads, “As Gregor Samsa awoke that morning from uneasy dreams, he found himself transformed in his bed into a gigantic insect. . . .” When I read the line I thought to myself that I didn’t know anyone was allowed to write things like that. If I had known, I would have started writing a long time ago. So I immediately started writing short stories.
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I think, especially when you're in college, each book that you're reading tends to tell you who you are.
