Book Quotes
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Stan is a rescue Chihuahua mix. He was the role model for Bob, the dog in 'Ivan.' The drawings in the book look precisely like Stan.
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I write so that people will read what I write. I don't want to write a book that a thousand people read, or just privileged people read. I want to write a book whose emotional truth people can understand. For me, that's what it's about.
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I just butcher a book. Everything I underline I assume is important to me.
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Something about the possession of a book - an object that can contain infinite fables, words of wisdom, chronicles of times gone by, humorous anecdotes and divine revelation - endows the reader with the power of creating a story, and the listener with a sense of being present at the moment of creation.
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With each book I write, I become more and more convinced that the books have a life of their own, quite apart from me.
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A book is like a man - clever and dull, brave and cowardly, beautiful and ugly. For every flowering thought there will be a page like a wet and mangy mongrel, and for every looping flight a tap on the wing and a reminder that wax cannot hold the feathers firm too near the sun.
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You can't be a change-maker by reading a book.
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I'm not a fan of 'Gone With the Wind.' I didn't like the movie. I didn't like the book.
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I often get asked, 'Is the book dead?' It hasn't happened yet. It's different than music. Music was always meant to be pure sound - it started out as pure sound and now it's pure sound again. But books started out as things. Words on paper began as words on paper. The paperback book is the best technology to deliver that information to you.
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I have never appreciated a quiet moment with a friend as much, a quiet moment with a book and I think part of that is my obsession with being older and time going faster and it's become increasingly sweeter for me.
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Every reader his or her book.
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To write a book about improvisation is partly a contradiction in terms. Improvisation is spontaneous. It's in the moment.
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What made it possible for me to exercise freedom of choice also made it impossible to know the future. Conversely, now that I know the future, I would never act contrary to that future. ... Those who've read the Book of Ages never admit to it.
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I maintain an ongoing survey of Internet Publishing and self publishing, so that it is now possible for any writer with a book to get it published at nominal cost or free, and to have it on sale at booksellers like Amazon.com.
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Every time I write a book, I've probably taken five years off my life.
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For years I've wanted to write about the Australian countryside, but, like most Australians, I've only got a tourist's knowledge of it. I thought that if I disobeyed that basic rule of writing - write about what you know - I'd write a thin and inauthentic book.
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'Perfect' is about a set-up that looks perfect from the outside - beautiful country house, beautiful wife and mother, everything where it should be - and the deep fissures that, in fact, lie beneath that. 'Perfect' was partly a response to the shock of my first book, 'The Unlikely Pilgrimage Of Harold Fry,' being a success.
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The process of writing a book is so removed in my mind from the process of publishing it that I often forget for great stretches that I eventually hope to do the latter.
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I think every professor and writer is in some way an exhibitionist because his or her normal activity is a theatrical one. When you give a lesson the situation is the same as writing a book. You have to capture the attention, the complicity of your audience.
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Any character that can't be kept straight, to me, isn't a character who should be in the book – you know, anyone not vivid enough to have a claim on my attention.
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So many people are working in vaudeville today that I looked for three weeks to book enough acts for an hour bill and didn't have them until the night before we opened in Buffalo and money was no object!
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In America right now, we use words like 'smart' to talk about bombs. American rhetoric is grounded in ideas of capital-G Good, capital-E Evil, and it's very clear who is on which side. But in a book you can do just the opposite. You can use all lower-case words.
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The marketability, the success of a book, ultimately rests with whether or not people will find the concept/characters/title/cover appealing.
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In the five months I wrote the final draft of 'The Association of Small Bombs,' I never fell out of the book. The world was real to me: plausible and powerful.
