Book Quotes
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I know when I go and see a writer, the first thing I think to myself is, 'Are they the character in the book?' You just can't help it; it's the way people are.
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With each new book, the march of our national history takes a step forward. When one is present at a book launch, one is bearing witness to the birth of a new body of ideas, to the coming into being of another testimony of history.
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I haven't thought about writing so much as potentially producing and finding my own projects to get into production. I want to be able to buy the rights to a story that I have read or a book that I have read.
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I'm trying to convey to my audience that you really can't judge a book by its cover, and there's more to the universe than you can see with your eyes.
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While I was writing 'Stick Out Your Tongue' in Beijing, the police began knocking on my door again. As soon as I finished the book, I moved to Hong Kong so that I could work undisturbed on my next novel.
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I've always viewed myself as a brand. When I started 10 years ago, that was very controversial. 'Marketing' and 'PR' were dirty words for the literary world, but that has changed. Once the book is finished, I want as many people as possible to read it.
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People are interested in writing, and often there's an unjustifiable sense of people to believe my talking to them for the book is going to accord them any sort of fame. Which it won't. At the same time, they can be more circumspect if they know they're on the record.
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I'm a mother of a three-year-old, but when I started 'California,' my son wasn't even a twinkle in my eye. Because the book took as long as it did, I wrote it before I was pregnant, while I was pregnant, and as a new mother - so I enjoyed a diversity of experiences while creating this world.
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Raven-haired writer Emer Martin is giving a lunchtime reading from her fabulous new novel, Baby Zero. Emer Martin is a brilliant writer, very much the real deal. She tells me that every single Irish review of her new book has made passing reference to Cecelia Ahern. Weird, given that Emer is to chick-lit what Shane MacGowan is to sobriety.
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Writing is so fun precisely because if you take out the right adjective, the readers can decide what kind of book is in their hands. Suspension of disbelief should not be mandatory in contemporary writing.
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Having been unpopular in high school is not just cause for book publications.
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I didn't really like reading much before I did 'The Golden Compass'. But then my teacher told me to read it. And I thought, 'Oh God, I'm going to have to read a whole book by myself!' It's not that I couldn't read, it's just that I didn't really like books very much. But the book that she lent me I really enjoyed.
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We're Jews, my family, and Jews break down into two distinct subcultures: book Jews and money Jews. We were money Jews.
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I don't think anything I've written has been done in under six or eight drafts. Usually it takes me a few years to write a book. 'World's Fair' was an exception. It seemed to be a particularly fluent book as it came. I did it in seven months. I think what happened in that case is that God gave me a bonus book.
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There's no point in making a film out of a great book. The book's already great. What's the point?
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'Rescue Me' is the first book in a three-book series. Although, like all my series, the books are purposely written so that readers do not have to read them in order.
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I must write the book out in my head now, before I sit down.
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After I work with my editor to get the manuscript in good shape, I sketch and lay out a whole book loosely, usually in black and white. You learn things about your text when you have to think about pacing and page-turns.
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Sixteen years as a freelance features journalist taught me that neither the absence of 'the Muse' nor the presence of 'the block' should be allowed to hinder the orderly progress of a book.
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As with all great works of literature, 'Of Mice and Men' moves with the inexorability of a huge river, and it pours itself, exhausts itself, in the sea of our unconscious. Having read it, we carry the book inside us forever.
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I'm a huge Marvel Comics fan, and I'm a huge 'Wolverine' fan, I like the 'X-Men' comic book.
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I wanted to highlight that whole dreadful process in book publishing that 'nothing succeeds like success.'
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I'd read books in Russian, and they would take me forever. I wanted to write a book that would last and would not be superficial. Siberian-travel writing is its own genre.
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My reading and drawing drew me away from the ordinary interests, and I lived a great deal in the world of imagination, feeding upon any book that fell into my hands. When I had got hold of a really thick book like Hugo's 'Les Miserables,' I was happy and would go off into a corner to devour it.
