Book Quotes
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My book 'The Exciting Adventures of Boo' was first published when I was fifteen. It is a children's book with ten different stories. In each story, the main character Boo learns a lesson - one of the ten most important lessons I learned as a kid. I also donated all the money from my books I personally sold to my local ASPCA Animal Shelter.
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With a musical, you kind of have to do a mind-meld with the book-writer, the lyricist, the composer, the director - sometimes the producer. I think that's a reason why musicals are the hardest form.
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I don't think anything I've written has been done in under six or eight drafts. Usually it takes me a few years to write a book. 'World's Fair' was an exception. It seemed to be a particularly fluent book as it came. I did it in seven months. I think what happened in that case is that God gave me a bonus book.
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Oh, everything's too damned expensive these days. This Bible cost 15 bucks! And talk about a preachy book! Everybody's a sinner! Except this guy.
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I think Maus I is better than Maus II. The standard here is whether or not it's as good as a great book of prose literature and by that standard, no, it's not that great.
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'Britain's Royal Families' became my first published book, in 1989, from The Bodley Head, and the rest of the story is - dare I say it? - history!
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With a young-adult series, you need to get a lot of books out on the market quickly. Teenagers aren't going to wait years and years for the next book.
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Oh how I wish I could be as obsessive as Carrie from 'Homeland' when I'm writing a book! That would save me a lot of trouble during the revision process.
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All I can say is that I am not one of those writers who want 100% of their book in the film. I recognize that film is a different medium and the filmmaker must have the right to bring some new elements to the table, provided the soul of the book is preserved.
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I translated an Emile Zola book, 'The Belly of Paris,' because I didn't find an existing translation that captured his sense of humor. Humor is the first victim of translation.
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As far as advice, that will be in my next book, my next collection. I certainly never like to instruct anyone, but just say as I feel. That's the same as advice, isn't it?
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I'm a mother of a three-year-old, but when I started 'California,' my son wasn't even a twinkle in my eye. Because the book took as long as it did, I wrote it before I was pregnant, while I was pregnant, and as a new mother - so I enjoyed a diversity of experiences while creating this world.
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I know when I go and see a writer, the first thing I think to myself is, 'Are they the character in the book?' You just can't help it; it's the way people are.
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I don't think there was a particular book that made me want to write. They all did. I always wanted to write.
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I'm very grateful for social media. I think it has shown people my true nature, and through that has come a book deal, and I think it certainly contributes to people's view of me as a person with a sense of humor, which is only helpful in my industry.
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One of the pleasantest things about book writing is that sometimes it brings one in touch with old friends.
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I do like Pat Conroy, and 'The Great Santini' is an iconic book.
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I'm constantly revising. Once the book is written and typed, I go through the entire draft again.
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I wanted to be acknowledged as an artist, not just some kiddie-book artist.
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I can ask for a £25,000 advance, but then you spend a year writing the book, and £25,000 is a loan against sales, and you can easily spend five years earning out. So that's £25,000 for six years.
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A book brings its own history to the reader.
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I never travel without my sketch book.
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Prose is like this big block - you write big paragraphs. I feel that when I'm reading and writing, that a prose book is kind of monolithic. But a song is more like a feather or something.
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This is a wonderful book, unique and engaging. Diaconis and Graham manage to convey the awe and marvels of mathematics, and of magic tricks, especially those that depend fundamentally on mathematical ideas. They range over many delicious topics, giving us an enchanting personal view of the history and practice of magic, of mathematics, and of the fascinating connection between the two cultures. Magical Mathematics will have an utterly devoted readership.
