Editors Quotes
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I depend on good editors and a good director.
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When I write a novel, every word is mine. I welcome suggestions from my editor, but in the end, I make all the final decisions.
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He thinks that Schiller and St Paul were just two Partisan Review editors.
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I wrote poems in my corner of the Brooks Street station. I sent them to two editors who rejected them right off. I read those letters of rejection years later and I agreed with those editors.
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A Fourth Estate, of Able Editors, springs up.
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Amazon is such a big player in publishing, but a lot of authors feel this connection to their publishing house and their editors who helped them get their books out there, so their loyalties tend to go that way.
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The age of celebrity editors and monstrous staffing are over.
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An editor should tell the author his writing is better than it is. Not a lot better, a little better.
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Try to meet as many authors, agents, and editors as you can.
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I've learned now to have a second title in reserve because, frequently, I come up with titles that seem to make editors' hair fall out.
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But editors are still the world's readers. And thus the eyes of the world.
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Vision is an important part of being a good editor, but so is teamwork and grace.
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There are so many magazines and so many editors out there that you have to be different.
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I've imparted that philosophy to the writers, but some of them look stuff up while some don't. Same with the editors, directors and actors. To each their own.
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I dare say you will try to make me believe that Editors are human. Now I deny that, for I myself have, in past days, had evidence to the contrary.
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I think sometimes I might scare the editors, because they might feel they're getting old and they're not understanding it. The problem lies on their side of the fence, not mine. I come from a different era and I design clothes for our era.
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The real literary editors have mostly been fired. Those that remain are all 'bottom line' editors; everything depends on the money.
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The first version of The Beautiful Room Is Empty was the first mss. I'd ever submitted to New York editors.
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When I look at what I'm doing today, I see [the] roots in my college life. I was the online editor of my college paper and an active member of the Harvard Computer Society. I abandoned a summer internship at the Washington Post due to injury and instead did theatre. I found my comedic voice through satirical newsletters in college.
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I've had editors over the years who couldn't find a clue if it was stapled to their butt.
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Once your acting job is over, you just hope they have a good editor and they put together a good film.
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It is of course daunting to make ones public debut in a new format, particularly with a well loved character, and in a medium as much scrutinized by the web-o-sphere as comics... But I had the comfort of having great editors at IDW (Chris Ryall and Denton Tipton) and I knew whatever I wrote, Ilias would make me look good.
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As Christians, we are to be newsboys and not editors of the gospel.
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The Lampoon started in 1970, and I began writing freelance for them around the end of 1971, and then all through '72. They hired me in '73, and I left early in '81. I did everything from low puns to being editor-in-chief.
