Scene Quotes
-
You always have to know what the ambition of the scene is, what the purpose of that scene is in the telling of the story overall, so that you're there to support the story.
Harrison Ford
-
Cut like crazy. Less is more. I've often read manuscripts - including my own - where I've got to the beginning of, say, chapter two and have thought: “This is where the novel should actually start.” A huge amount of information about character and backstory can be conveyed through small detail. The emotional attachment you feel to a scene or a chapter will fade as you move on to other stories. Be business-like about it.
Sarah Waters
-
I didnt get to go to prom; I was filming a death scene on my prom night. But I got to go to all the homecomings, and even the winter formals I got to go to, but the only thing I missed was the prom, but everything else was great.
Michael Angarano
-
I was off the scene for a while during the ska period and when I returned and joined the Treasure Isle studio, I came there with a different mood. The musicians picked up on that and we kept on going in that direction. The music became slower, which gave the bass player the time to play more notes. In 1965 I named it rocksteady. The first rocksteady song was 'Girl I've Got A Date'. That one was still a bit up-tempo, leaning towards ska. It turned the tide and made Treasure Isle the number one studio.
Alton Ellis
-
There are some things I like about L.A. You can have a really healthy lifestyle, and I love running with the dogs on the beach. It's just the social scene is horrific!
Mischa Barton
-
By just passing through things, I continue to slightly limit myself. I want the jobs that don't say that much. I'm often the stepping stone or the conduit from one thing to another. I love the idea of existing in a film and growing and having bigger arcs, and being in scenes where you're just being, as opposed to talking. That' one of my ambitions, lying ahead.
Gavin Rossdale
Bush
-
Remember, this is back in the '40s, and the idea of a museum being a place where interested people could come in direct contact with works hadn't arrived on the scene yet. That, I think, I first ran into at the Freer Gallery in Washington, D.C., where a man named Marty Martin Amt decided that he really felt his job - part of his job, as an assistant to the director was to make the collection available to interested people.
Warren MacKenzie
-
The New Romantic scene was so tiny. Although it got lots of mileage in the media, it was a really small club with only a core group of people. As it got more popular, kids started to come from the suburbs all dressed up, but it -really wasn't as big as it looked.
Boy George
Culture Club
-
I'm fortunate in that I'm what you call a utility player, in that I can take a scene, if there's five or six minor characters in a scene, that need voice and personality and I can supply those characters.
Bob Bergen
-
The Spring is here--the delicate footed May,
With its slight fingers full of leaves and flowers,
And with it comes a thirst to be away.
In lovelier scenes to pass these sweeter hours.
Nathaniel Parker Willis
-
A tree there is that from its topmost bough
Is half all glittering flame and half all green
Abounding foliage moistened with the dew;
And half is half and yet is all the scene;
And half and half consume what they renew.
William Butler Yeats
-
I suddenly feel a vague pity for all those writers who have to ply their trade from sleepy American suburbs, writing divorce scenes symbolized by the very slow washing of dishes.
Teju Cole