Song Quotes
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Every day, I hear a song and I think, 'This would be great to cover on Glee.' I like Led Zeppelin, of course, and Pink Floyd, Alice in Chains.
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I think it's important to really press on with the song writing and just go with it. There's no code, there's no craft... it's just let yourself shine through your music. If it's meant to be loved and heard, it'll happen.
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Meditating were my thoughts On the vain poetry of the bards of Brython. Making the best of themselves in the chief convention. Enough, the care of the smith’s sledge-hammer. I am in want of a stick, straitened in song, The fold of the bards, who knows it not?
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This song is called 'Alice's Restaurant'. It's about Alice. And the Restaurant. But Alice's Restaurant is not the name of the restaurant, that's just the name of the song. That's why I called this song 'Alice's Restaurant.'
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I stepped back from being out front to playing bass. So we started switching: I'd play bass on one song, we'd switch on the next song; I'd play piano... we'd play mandolin.
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I love a song that will usher in the very presence of God. Then there's no Andrae; there's no fabulous band, there's no greatness of ours. I've had hundreds of concerts like that, and that's what I try to achieve.
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I feel safe and comfortable to do that once I know that the song structure around the bass part is very interesting and it satisfies me in a compositional sense.
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The last name is pronounced Jill-en-hall. It's spelled with two l's, two a's. We have a song in my family; G-Y-Double L - EN - HAAL spells Gyllenhaal. It's a Swedish name. It's a family heirloom set to music.
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I find writing songs hard, because it does not come naturally to me. I never set out to be a songwriter or a singer.
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With 'Torches,' I wanted to make a great pop record; I wanted every song to be exciting, not to have too much space, no long pieces of music without vocals. I kind of wanted to write the perfect pop album.
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When I get bored, I'll zone out, and I'll just sit in front of my computer and start writing any random song that comes to mind.
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I think my music is definitely country but it's got a little bit of that rock flair about it. I always try to find the things that everyday people deal with in their everyday lives and situations in the songs that I sing.
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They couldn't do it if we didn't allow it. I feel like someone using your song is different than someone using your persona, like you as an individual. It's a bit different than going on the show. Though I never said we wouldn't go on the show.
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A song just doesn't come on. I've always had to tease it out, squeeze it out.
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The big thing that everyone forgets, you're famous and on TV and everything, but I think there's something very rewarding to be able to write a song, record it, and have it turn out as you heard it in your head, or even better.
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I remember so vividly the first song I ever wrote. It was called 'Different People.'
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Right away, I knew I didn't want to have that look of other guys with long hair and bell-bottom pants, because everybody else had that look. I kind of adopted my boarding-school look, which made me stand out. Then the next thing you know, the first song on my first record is a song called "School Days." It's about going to the boarding school I went to. So then I just started to write about myself. The very first song I ever wrote was about a guy I met in a boatyard that we were working in. So I've always had this thing about sticking to more or less what I knew.
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Gospel music to me has always been a balm for the soul. It has been able to usher in the spirit, usher in worship, true worship and praise, healing. I find the music to be very good at healing and the passion, you know, which is a testimony being told in song.
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It's a different process for me, but it's really cool to hear someone else singing the song that you wrote.
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Something that I think extends to a lot of African cultures is that the line between performer and audience is blurry. My mom would lead the wedding song regularly, and she isn't a professional singer. Even as an audience member, you're expected to clap and sing the response to the lead.
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Then, in that hour of deliverance, my heart spoke. Does not such a country, and such defenders of their country, deserve a song?
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'Something More' is a song that I wrote not necessarily about country radio, more so about a lot of songs that were being pitched to me. I wrote that after song after song after song was just the same song, just a different melody, so I was just looking for something more to put on the record.
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The heavenly bodies are nothing but a continuous song for several voices (perceived by the intellect, not by the ear); a music which... sets landmarks in the immeasurable flow of time. It is therefore, no longer surprising that man, in imitation of his creator, has at last discovered the art of figured song, which was unknown to the ancients. Man wanted to reproduce the continuity of cosmic time... to obtain a sample test of the delight of the Divine Creator in His works, and to partake of his joy by making music in the imitation of God.
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I like to interpret 'Call me a River', as if I'm saying, 'Now you're telling me you love me after all that, and I'm telling you to shove off.' That's my interpretation. But I would never 'say' that because somebody else might interpret the song in another way.
