Song Quotes
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'Frayed Ends Of Sanity' off the 'Justice' album is a song that I really wanted to play with the band, and for years and years, I was always like, 'Let's play this song!' But I'll tell you something: I started working on that song almost from the very first time I joined the band.
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I think the reason I was 23 before I ever wrote a song was that I was afraid of testing myself. What would I do if I discovered I didn't have anything to say?
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I'm not sure it's a better music world of appreciation and performance. I think the listener is a different guy, and listening is something he does in passing, with other stuff going on. There's less care and understanding of the relationship between the song and the listener.
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I can't write a lie; the world of imagination is no good. I objectively capture my own experiences and those of my friends. I want to put true feelings into words. If I make a song when I'm sad, it's a dark one, but I think that's good. No matter when I want to be true to myself.
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As an artist, you never want to write the same song again, you always want to challenge yourself to writing in a different way.
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This is sort of not expected, but I would love to produce a record for Missy Elliott. It would be totally different, but she makes party music. 'Lose Control' was my favorite song when I was in 5th or 6th grade.
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It's a great honor when somebody takes your song and does something different with it. That's what music is all about: to constantly change what somebody else has done.
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When people see you have a song on MTV, they think you are doing well - but you know, the way the traditional label deal was set up, it is really hard for an artist, unless they sold a lot, to see anything.
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It's important to me that there's not just one story told about our city. 'LSD' is an ode to Chicago, a song for the complicated love I have for my city.
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The thing is, unfortunately, I write the best songs when I'm miserable.
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It is a bird-flight of the soul, when the heart declares itself in song. The affections that clothe themselves with wings are passions that have been subdued to virtues.
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We've played it [Milquetoast] a million times. When you play a song that much you sort of become disconnected with the lyrics. It's just another song essentially about people's opinions and being told how to live your life even though they may have less life experience than you have.
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'You Should Be Here' came from a real place. I lost my father... it was right when I was getting my record deal. There's just been so many moments that he hasn't been here for. It's kind of the reason I wrote the song.
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I know there is an eye that watches all of us. There is a judgment that weighs everything we do. And before this great force, which is greater than any government I stand in awe and I kneel in respect and it is to this great judgment that I dedicate this next song, 'Hallelujah'.
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We'll leave now, so that this moment will remain a perfect memory...let it be our song and think of me every time you hear it.
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Well, Neighbours wanted to do a song on the show, and they asked me what songs I had. I told them I'd just written this song, called Born to Try, and I had just gone overseas and spoken to some people from Song about it.
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Gospel music to me has always been a balm for the soul. It has been able to usher in the spirit, usher in worship, true worship and praise, healing. I find the music to be very good at healing and the passion, you know, which is a testimony being told in song.
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I was in my friend's apartment, and their buddy called us and was like, 'I'm in a car, and you're on the radio.' So we listened to the song. That was wild. I'm like, 'Is this real? How is this happening?'
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Getting a beginner publishing deal really helped me gain the skills. I just kept writing and writing. You just take everything out of life and turn it into an idea or a melody or a song and find the best writers you can to write with that fit you and know what you want to do.
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When you listen to an album, it shouldn't feel like, "That's the girl song," "That's the club song." I shouldn't know what you're thinking while you're making the song. I don't want to know what the artist is thinking.
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Almost every song on OK Computer revolves around how I am afraid computers get up at night and attempt to choke me with their wires.*doesn't laugh*
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There was no such thing as production at Starday. We'd go in with the band, we'd go over the song, I'd look over and tell the steel player to take a break or kick it off, and I'd get the fiddle to play a turnaround in the middle.
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I've written songs before, and I don't want to share them with anybody. It's really personal for me, that sort of creative outlet where you put your emotions to paper or put to song. I don't do it that much anymore, but to let someone in on that outlet and to have it susceptible to judgment is scary.
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I want to play music when I want, write a song if I want or watch a baseball game if I want.
