Song Quotes
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It took off so fast. We would take a couple days off and go to a secluded place and practice. People would find out where we were and our song was making it right then. We practiced in a hotel room, and then crowds of people would come to the hotel to see us practice. It was fun!
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I think part of the process of putting out a record is always looking back because, by the time a song comes out, it's been a year since you wrote it.
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The song I like to do is 'Dead.' I'm constantly playing that one.
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Water. Its sunny track in the plain; its splashing in the garden canal, the sound it makes when in its course it meets the mane ofthe grass; the diluted reflection of the sky together with the fleeting sight of the reeds; the Negresses fill their dripping gourds and their red clay containers; the song of the washerwomen; the gorged fields the tall crops ripening.
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Stuff just comes out all the time, sometimes when I sing live it really comes alive and I sort of... I write songs and then almost... not forget about it, but live it really comes out and I suddenly realise what I've written. I don't know where it all comes from.
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But the greatest thing about music is putting it out there for people to figure out. You want the listener to find the song on their own. If you give too much away, it takes away from the imagination.
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I'd stop in the middle of a gun fight and sing a song.
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I've never really gotten into the whole labels thing. There were times I would cover a pop song, and people would say 'You sound really country.' I gave up on that whole thing a long time ago.
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When I was eight, my mum found me humming to myself and scribbling on a scrap of paper. When she asked me what I was doing, I got shy. I was writing a Christmas song, and I had never shared my music with anyone before. Reluctantly, I sang it for her... and she loved it. Of course she did - she's my mum.
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It's hard to give your song away. They're like your kids.
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We did a really cool video for this song [Milquetoast] with Alex Winter from Bill & Ted's Excellent Adventure fame. He's an extremely intelligent guy. Butch Vig also did a mix for The Crow movie.
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As an artist, you never want to write the same song again, you always want to challenge yourself to writing in a different way.
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I don't actually have to think very hard when I'm writing. I mean, there are times where it's a task, and you have to plug away and plug away. But then there are times when a song writes itself in 15 minutes, and you're just struggling to keep up with it.
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Every song I write, including 'Too Close,' always starts on the guitar.
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'Man In The Mirror' by Michael Jackson - I used to have my very first dance parties with my kids to this song when they were little, even carried them around to it. It just makes you want to be a better person and be inspired.
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I listen to old songs and remember exactly where I was living and where I recorded it and how I wrote it, the girl I was dating at the time or whatever.
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On a prayer,In a song,I hear your voice,And it keeps me hanging on.Oh, raining down, against the wind,I'm reaching out,'Till we reach the circle's end.When you come back to me again.
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I want to make an album my grandma and my fans are going to like. I want to make my grandma understand a drop and make club fans understand a song.
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The first song is called 'London.' It's about two Russian soldiers who desert the Russian army and escape to London, where they indulge in a life of crime.
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When I'm on a stage, it's just me, singing a song with words that I wrote and I believe in. And if I don't believe in them anymore, I'll stop singing that song.
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I used to think that myself and my songs were the same thing. But I don't believe that any more. There's myself and there's my song, which I hope is everybody's song.
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The nice thing about doing a pop opera - in the way that doing, say, 'Miss Saigon' or 'Les Miz' would be - is that, because the convention is set from the beginning that this is an opera and everything is sung, there is never that feeling of 'Why is this person bursting out into song?' because the whole thing is sung.
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When my soul was in the lost-and-found You came along to claim it.
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It can even be a single note which defines the entire song.
