Jenny Scheinman Quotes
I've always gone into the studio with a very clear understanding of a song, of the words or, if it's an instrumental piece, of the melodies, and that never changes.
Quotes to Explore
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If I were dying, my last words would be: Have faith and pursue the unknown end.
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When we watch stories, we learn empathy, we learn compassion, and hopefully we achieve some sort of understanding.
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With songs I almost see the images, see the action, and then all I have to do is describe it. It's almost like watching a scene from a film, and that's what I go about trying to catch in a song.
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The game of life is a game of boomerangs. Our thoughts, deeds and words return to us sooner or later with astounding accuracy.
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Since Kennedy's death, the nation has not seen, in any of his successors, his cosmopolitan intellectualism or the oratorical eloquence with which he sought to lead the nation by the power of his words.
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People say, 'How does having kids change your writing? Do you see the world through their eyes?' No - you just become a faster songwriter... In the old days, you'd be like, 'Oh I'm gonna work on this song for a few days.'
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I'm so suspicious of our own understanding of the past. I just think that your mind plays absolute tricks on you and fools you every minute of every day. And so when you're talking about the past, you're talking about something that never happened. At least it didn't happen the way you think it happened.
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The world is in motion, as it seems.
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I like rock music because it's always sonically fascinating. There's never a method to what it needs to sound like. It's just however that instrument comes out that day, whatever the humidity level was in the air, what studio you were at. All that makes that tone that you can't re-create, so each song is like a person.
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The words we use have weight. Whether it's in a conversation with a friend or something said publicly on stage or broadcast. And as performers, we know that because that's why we choose the words we use - that's the whole point of comedy.
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Friday night is our date night. We really carve out time for each other.
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To write a love song that might be able to make it on the radio, that is something that is terrifying to me. But I can definitely write a song about that chair over there. That I can do, but to sit and write a pop song out of the clear blue sky, that is very difficult and I admire the people that can do it.
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For me, if the words are good on the page, the rest of it comes from spending some time with the script, and not like you're learning lines but absorbing what the script has to offer.
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The first song I learned on the guitar was a Kenny Chesney song called 'What I Need to Do'; it was just an easy song to play... and it was really cool to see that come full-circle a few years later and have him record a song that I was part of.
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An album is a whole universe, and the recording studio is a three-dimensional kind of art space that I can fill with sound. Just as the album art and videos are ways of adding more dimensions to the words and music. I like to be involved in all of it because it's all of a piece.
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Forever, we all had a real clear understanding of what Parcells' teams looked like and played like: tough as hell and didn't beat themselves.
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The material came bubbling up inside like a geyser or an oil gusher. It streamed up of its own accord, down my arm and out of my fountain pen in a torrent of six thousand words a day.
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I'd like to do a completely off-the-wall collaboration. I would like one of my songs to be the hook to a rap song. That would be so much fun!
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I've always been one of those people that, if I am angry, I just hold it in. And I always kind of, like, wrote it in a song and put it aside for myself because it helps me get it out. It's almost like exercising; it's almost like that for me.
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The aim of literary ambition is to demonstrate one's greatness of soul.
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For some unknown reason, bad-boys draw you in despite the fact that they are jerks.
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Acting-wise, I've had all these experiences. Yet when I look at certain people whose careers I admire, they've gotten to play so many different characters.
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As far as 'Syria next on the list', we made clear that it is not.
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I've always gone into the studio with a very clear understanding of a song, of the words or, if it's an instrumental piece, of the melodies, and that never changes.
