Song Quotes
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As a songwriter, I try not to be sloppy; same with the music. You can be very lean, very efficient, so you're not wasting a lot of time getting' to the point. You're saying it with as pure a word or phrase as you can. That's the part that was craft. You refine and refine and refine. Maybe that's why the songs still hang on, because they're very pure. For one thing, they're very short. "Bad Moon Rising" is like 2 minutes and 12 seconds. I would try to do everything as quickly and with as little extra as possible. It was a challenge.
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As every bird-watcher knows, the beauty of a bird's song is inversely correlated with the colourfulness of its plumage.
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I remember when I was 5 or 6 years old, gospel music felt familiar, like I had heard it in the womb or something. A lot of those old gospel songs still give me that feeling, that it's older than time and there's actually music that can tap into a universal subconscious, or whatever word you want to put on it.
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I want people to understand balance. I might make a banger, and that's the way that I feel, and then I may want to make a song that's really deep.
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I never wanted to be an actor, and to this day I don't. I can't get a handle on it. An actor wants to become someone else. I am a song-and-dance man, and I enjoy being myself, which is all I can do.
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It is very unnatural to dance while playing the violin. I had to practice so hard to learn how to do it, but now it is part of my expression, and it comes naturally. I have to know a song perfectly before I can even begin to move.
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When I write a song, I always start on acoustic guitar, because that's a good test of a song, when it's really open and bare. You can often mislead yourself if you start with computers and samples and programming because you can disguise a bad song.
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New songs are why artists go on the road. That's why I go on the road. It's a three-prong play. Writing: You're intrigued. Recording: It brings it to life. And then you want to share it.
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When people ask me for playlists, I always put in 'Moonlight Sonata' because it is my favorite song. I play it all the time.
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I wanted to write an upbeat song where I could feel good about the fact that I've moved around so much and not sad about all the goodbyes I've had to face.
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It is a very serious consideration for a lyricist to step in there and suggest the meaning to a song. The music is speaking for itself.
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If you can whistle the melody, then the song will stick. But if you need a bunch of machines to make it sound good, you're probably not writing anything that's going to last a long time.
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Well, Neighbours wanted to do a song on the show, and they asked me what songs I had. I told them I'd just written this song, called Born to Try, and I had just gone overseas and spoken to some people from Song about it.
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As a songwriter, I do kind of look at 'Santa Monica' as a thing outside of itself, because it isn't just my song. This is a song a lot of people tell me is a part of their high school or college years. That means a lot to me.
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Every single song on 'Torches' was a little self-contained pop song, so there wasn't any fat on the songs; there wasn't a lot to cut.
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I am fine with 'Puppy Love.' I hated it for a while. But I still sing it. I have a country version, a sexy version and a cheesy nightclub version. I am trying to infuse it with maturity. I will never escape that song. I will always be Mr. 'Puppy Love.'
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Dave and I had been song writers in Nashville, trying to get around, out hustling, trying to meet people. We randomly met Hillary out in town one night. She said she was a singer. I asked her if she would like to write some songs with Dave and me, and a week later she came over. Instantaneously we had this chemistry.
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It was always very important for us that we presented ourselves as a band, because it's a three-part writing process and it's a three-part decision making process, it's not two producer guys and a girl that sings the songs. It's startling how many people make that assumption.
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In fact, many musicians are the happiest when the artist and audience re-interpret or re-imagine the content of the songs.
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I feel as a writer I’m growing and hopefully each song I write is a little more honest.
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The songs will come as they come, and I'm excited because I haven't gotten to be really creative in a while. I'm excited to get back and do what I do and just write a song.
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The Chili Peppers do a lot of improvising, but it's within the framework of song structures. The Meatbats is from a purely instrumental standpoint. But when you hear the term 'instrumental music' you think it's real serious stuff and everybody's playing a million notes and it's about playing fast. That's not what we do.
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I do not believe that people should steal music, but I think that fans need a better alternative, hence why I am such a fan of Apple, where you can simply buy a song for $0.99; it is very easy, it is a value-packed service... and this is a result of the shakeup... something has to happen in the music industry.
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I can't sing a love song Like the way it's meant to be Well, I guess I'm not that good anymore But baby, that's just me
