Song Quotes
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New songs are why artists go on the road. That's why I go on the road. It's a three-prong play. Writing: You're intrigued. Recording: It brings it to life. And then you want to share it.
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It's a very interesting thing because I can start mixing a song and leave the room and come back and maybe just slide one lever to a certain point, and it just - it's a certain feeling that it gives you when you know it's right.
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It is a very serious consideration for a lyricist to step in there and suggest the meaning to a song. The music is speaking for itself.
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I'm always thinking about songs and how I can sing a song that would resonate with my voice, my persona. I want it to be a pleasant experience that's not just about hearing my voice. I remember some singers whose voices were so pretty, it didn't matter what they sang - you loved it.
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I should say that I usually have a good experience on Amtrak. Still, if Amtrak could replace electric horns with steam whistles, they could make big strides. A horn is a horn is a horn, but a steam whistle is a voice and a song. People used to know which engineer was running which engine based on the call of the whistle.
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You'd walk by MTV an hour ago, and you come back, and it seemed like the same song was playing. I want to stay as far away from that as I can in my band.
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I like to interpret 'Call me a River', as if I'm saying, 'Now you're telling me you love me after all that, and I'm telling you to shove off.' That's my interpretation. But I would never 'say' that because somebody else might interpret the song in another way.
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I had the lyric 'Chip Don't Go' and a few words, and my wife came in and said that it sounded like a good song. I thought I'd finish writing it up and posting it to YouTube. I didn't realize it was going to take off like it did.
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We did a really cool video for this song [Milquetoast] with Alex Winter from Bill & Ted's Excellent Adventure fame. He's an extremely intelligent guy. Butch Vig also did a mix for The Crow movie.
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I remember watching films in my teenage years, and you'd be in love with Leonardo DiCaprio, and then a song would come on. You'd love that song forever; it changed your life.
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I think being on 'Glee' is such a great experience, but I think the best part was when I did 'All By Myself', because I love that song.
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There's a bit of hope that a song can be about anything. If you want to write a song about anything, you can, and you don't have to put it through the process of having it be trendy or cool or generic pop or these types.
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I just want to be in the studio 24/7. Even if I'm not working on a song right then, just sit in the studio. That's what I love.
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Now the Sirens have a still more fatal weapon than their song, namely their silence... Someone might possibly have escaped from their singing; but from their silence, certainly never.
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I was in 'Jacques Brel' Off-Broadway for many years, so I've always been a singing actress, but the songwriting was a complete surprise. I had never written a song in my life. We were on the road with 'Jacques Brel' doing the national tour, and I picked up a guitar one day and I wrote a song.
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American films are terribly popular all over the world and American movie stars are terribly important. I don't know why.
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I wish the opera was every night. It is, of all entertainments, the sweetest and most delightful. Some of the songs seemed to melt my very soul.
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In the beginning we were creating our music, ourselves, every night . . . starting with a few outlines, maybe a few words for a song. Sometimes we worked out in Venice, looking at the surf. We were together a lot and it was good times for all of us. Acid, sun, friends, the ocean, and poetry and music.
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The reader reads aloud, with a sing-song up … then down … then down again cadence. My mood shifts from merely reluctant to derisive. It’s a tired reading style. I’m sick of it. It attaches more importance to the words than the words themselves—as they’ve been arranged—could possibly sustain, and it gives poets and poetry a bad name.
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My favorite song is 'Cybele's Reverie' by Stereolab.
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The master was never impressed by diplomas or degrees. He scrutinized the person, not the certificate. He was once heard to say, 'When you have ears to hear a bird in song, you don't need to look at its credentials.'
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I find writing songs hard, because it does not come naturally to me. I never set out to be a songwriter or a singer.
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As a songwriter, I try not to be sloppy; same with the music. You can be very lean, very efficient, so you're not wasting a lot of time getting' to the point. You're saying it with as pure a word or phrase as you can. That's the part that was craft. You refine and refine and refine. Maybe that's why the songs still hang on, because they're very pure. For one thing, they're very short. "Bad Moon Rising" is like 2 minutes and 12 seconds. I would try to do everything as quickly and with as little extra as possible. It was a challenge.
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I feel as a writer I’m growing and hopefully each song I write is a little more honest.
