Song Quotes
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What originally established the band was cover songs like Not Fade Away. Then, later on, we got more well-known ones like Satisfaction, which you might say echoed the thinking of, well, any generation you care to name, including the present one. But we didn't set out on bits of paper that we were going to be the voice of a generation. The original aim of the Rolling Stones was to play blues. It wasn't even to play rock music.
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When I was 16 or 17, anyone could have had me if they sang the right song and recruited me in the right way. Which is why I've always had a sneaking understanding for people who took the wrong route. That doesn't mean to say I took it or even contemplated it myself.
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With rock music, it usually revolves around the band. You go in as a band and probably take about a year to record an album. But for a hip-hop song, you can create a track and an idea with verses and choruses in a day, and get three different people on it. It seems like you're able to do more with hip-hop.
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With 'Philharmonics,' I had to do a lot of interviews, and it was like I was corrupting something. In many ways, I've said everything in the song. And either I can't go back to what it was because it's changing when I play it, or I still haven't figured out what the song is about.
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I feel like music can affect you in so many ways. When you hear a song with a happy melody, it can change your mood; it can change your day.
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You think it's all written, but it's not. There's always another way to twist those three chords around.
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I write songs because I have to write them, and if I didn't I'd be doing some other kind of music that didn't require a song.
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It's about giving the people what they want. So many people have told me that they've made love to my records so what I've delivered this time is an album about sex. Pretty much every song has that theme. Straight no chasers, it's booty music!
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I never wanted to be an actor, and to this day I don't. I can't get a handle on it. An actor wants to become someone else. I am a song-and-dance man, and I enjoy being myself, which is all I can do.
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If I found out some gal was trying to steal my guy, I'd want to give her a black eye! Instead, I wrote this song. At the time I was writing each song [on this album], you could figure out the frame of mind I was in by listening closely. With every song I've ever recorded, I'm in it. I wouldn't write about it if I wasn't in it.
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When I started‚ I faced a lot of hardships. People used to call me a Rafi clone because I used to sing my favourite singer's songs. Then 'Sa Re Ga Ma Pa' happened. It gave me a good break.
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I had the lyric 'Chip Don't Go' and a few words, and my wife came in and said that it sounded like a good song. I thought I'd finish writing it up and posting it to YouTube. I didn't realize it was going to take off like it did.
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I remember watching films in my teenage years, and you'd be in love with Leonardo DiCaprio, and then a song would come on. You'd love that song forever; it changed your life.
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I just want to be in the studio 24/7. Even if I'm not working on a song right then, just sit in the studio. That's what I love.
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Everybody likes to listen to a song because it's fun, and nobody wants to sit around and listen to 'I-really-have-to-analyze-these-lyrics' songs all the time.
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I feel like I always have to have a song on my album that people can use in their weddings.
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When I'm sick of myself, and when I don't know what to say as a solo artist, I can write a song for a movie. When I don't know where to turn musically, being in a band - Rilo Kiley or Jenny & Johnny - the collaborative nature is really exciting.
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If I'm not writing about myself, then I sit down with people I really dig writing with and throw 'em out and see if something sticks. Their brain plus mine hopefully will make something interesting and cool and it will just snowball and we'll have a unique song by the end of it.
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There's a song called 'My Faith' that's kind of my spiritual song on my record. It's a little bit of my softer side of me, comin' out of left field a little bit.
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I remember the first time I ever showed my parents a song that I had written. The content may have been a little darker than they were used to, or really introspective in a way that may have been uncomfortable. I thought they'd retaliate with some kind of judgment or concern about whether I was feeling all right, but they were proud of it.
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When I write, I don't really focus on duets or anything like that or whether I'm going to feature this or that rapper. I just focus on just making a great song and figure out the rest later.
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Now the Sirens have a still more fatal weapon than their song, namely their silence... Someone might possibly have escaped from their singing; but from their silence, certainly never.
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The screech and mechanical uproar of the big city turns the citified head, fills citified ears - as the song of birds, wind in the trees, animal cries, or as the voices and songs of his loved ones once filled his heart. He is sidewalk-happy.
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This song is called 'Alice's Restaurant'. It's about Alice. And the Restaurant. But Alice's Restaurant is not the name of the restaurant, that's just the name of the song. That's why I called this song 'Alice's Restaurant.'
