Song Quotes
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I don't know if music has ever achieved anything past appealing to the people that it appeals to. If a song could stop a war, then Bob Marley and Bob Dylan songs would have stopped one or two.
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If you say, 'I listen to pop,' you picture this kind of perfect, colorful, polished song. I want to have that, but when you open it, you see this gritty dark - kind of like dancing your tears away. Disguise the sadness in a pop beat.
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I learn stuff from making music every time I go in the studio. I'm continuing to try to find new ways to play in a song or be in a song and have a positive impact on a song.
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From the very, very beginning, we made the decision that 'Tarzan' wasn't going to sing. My co-director, Chris Buck, and I said to each other that we couldn't imagine a half-naked man in the jungle simply bursting into song.
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It's a very interesting thing because I can start mixing a song and leave the room and come back and maybe just slide one lever to a certain point, and it just - it's a certain feeling that it gives you when you know it's right.
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Ultimately, I'm a fan of music. I describe writing music sometimes as hieroglyphics, like, you know, excavating, gently brushing off these artifacts and discovering the song underneath it all. It seems as if it is already written in it.
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There are loads of fan sites for the 'Edge,' including deviant art, song lyrics using 'Edge' language, multiple entries on Wikipedia, there are even some 'Who Wants To Be A Millionaire?' games all about the 'Edge.'
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I feel like if it's a good song on a guitar, it's a good song no matter what.
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I think I have a hard time expressing myself in my relationships. I use songs to tell people how I'm feeling. If I can't say 'I love you,' I'll write a song about it and hope that the person figures it out.
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I just wanted to keep consistent and keep true to America and not seem contrived. I didn't want to seem contrived at all with any song choice that might be a detriment to my journey on 'The Voice.'
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Every song I ever wrote, I wrote to be heard. So, if I was given a choice that 50 years from now I could either have a dollar or knowing that some kid was listening to my song, I'd go with the kid listening to my song.
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I wrote my first song, 'Conversion', to this little hip-hop instrumental. I went to an open-mic, plugged my iPod into the P.A., and sang over the beat.
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The independent role of morphology in mate choice is revealed by the rare instances where the usual association between song and morphology is disrupted.
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One thing I always really enjoyed about Quincy Jones' production technique was that there were so many layers to every song. Like, one week you'd hear a new trumpet-line, then the next week you'd hear - be hearing a new guitar-line.
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All this role model bullshit; you don't have any extra responsibilities because you made some good songs! Your only responsibility is to make good songs.
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If I found a cure for a huge disease, while I was hobbling up onstage to accept the Nobel Prize they'd be playing the theme song from 'Three's Company'.
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If I'm not writing about myself, then I sit down with people I really dig writing with and throw 'em out and see if something sticks. Their brain plus mine hopefully will make something interesting and cool and it will just snowball and we'll have a unique song by the end of it.
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I collected child support in Dade County, and they wrote a rap song about me, so the kids knew about it, and they started asking me questions about child support. What happens if she wastes the money? What happens if he doesn't pay? And I answered the questions.
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Sometimes you're inspired by an old-school song that you want to chop up and make a sample out of it. I find that with a lot of older Motown music.
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You always gotta reach the people who feel bad about themselves or insecure about themselves, and I think 'Like 'Em All' was just a perfect song for all the girls, and I think that's why it blew up like it did.
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I think particularly in music, popularity os a very fickle thing. You're only as good as your last song.
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I don't think you ever write a song with any intention except the song's about such and such per say ... we've never written a song and thought 'oh it'd be great if in this part this happened in the audience'.
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Every one of those old songs like "What's My Age Again?" and "All the Small Things" is like a tattoo or a scrapbook or an old photograph. There are just songs that define certain moments in your life. Everyone has a song that got them through a bad breakup or they put on and it made them feel like they wanted to go out and kick the world's ass with their friends on a weekend. Those songs still feel like that to me.
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My mom is a very religious woman. So when I began recording music, I was afraid she wouldn't accept it. But when I played her a song, she loved it.
