Song Quotes
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My aim is for every song to have a purpose - for you to be able to say, 'This song is about this.' But love and heartbreak are some of the most abstract subjects.
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It was a very bizarre experience for me, to get the songs together, go in there, and try to deliver them as I would perhaps in a live setting. But I realized that I couldn't take on that coffeehouse style that I came from and go in there and burn it up.
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If all experienced God in the same way and returned Him an identical worship, the song of the Church triumphant would have no symphony, it would be played like an orchestra in which all instruments played the same note.
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With 'Philharmonics,' I had to do a lot of interviews, and it was like I was corrupting something. In many ways, I've said everything in the song. And either I can't go back to what it was because it's changing when I play it, or I still haven't figured out what the song is about.
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The music industry has become so unpredictable. And I think people know that if someone has a Number One song, it doesn't necessarily mean that you'll have several ones after.
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You couldn't keep me out of the school plays, the song and dance skits.
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I want people to understand balance. I might make a banger, and that's the way that I feel, and then I may want to make a song that's really deep.
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I will say that I know Nirvana did a show and played a few chords from 'More Than a Feeling' before they did 'Teen Spirit,' and it wasn't very good. But in all seriousness, 'Teen Spirit' was a great song. If subconsciously or somehow I had any influence on that, I'll take that as a compliment.
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I love the idea of how fast can we make the song, but I don't think that I'm necessarily, like, a super-talented songwriter. I think I'm just really productive. One out of 10 songs is a hit.
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You can imagine several scenes from Star Wars? The way they looked? For me, that's how music is. Sometimes I'll be developing riffs for songs, just while I'm sitting around and not playing.
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I'm not trouble at all. I'm just a guy trying to get a girl to give him the time of day. I'm like every song on the radio.
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Jerusalem is a festival and a lamentation. Its song is a sigh across the ages, a delicate, robust, mournful psalm at the great junction of spiritual cultures.
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Walt Disney was a great believer in the use of song to convey story. He was primarily a storyman & story-driven songs were his 'pets.' He always asked what was going on with the song - he hated 'singing heads.' He loved learning about character & motivation thru music & lyrics.
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One of my biggest thrills for me still is sitting down with a guitar or a piano and just out of nowhere trying to make a song happen.
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And then, I was thinking of doing a record just like starting with voice, because I did this one song that was just kind of a cappella, and I did it for this art piece I did where people could come and play music to go with a voice.
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A song must move the story ahead. A song must take the place of dialogue. If a song halts the show, pushes it back, stalls it, the audience won't buy it; they'll be unhappy.
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I've always loved that, on all the Dylan and Springsteen and Marley and Neil Young reissues that they've done: It's so cool to hear alternate versions and how the song started in their mind.
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Most times, you walk into a room, and you don't really have a starting point. You have to create the starting point, and normally you'd do that by thinking of a title or a concept for a song, then working back from there.
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No matter where you are or what you're doing, it's always great if you don't have to get up and physically change the song that plays next.
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I love the idea of waking up to a song. It could be any song.
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I can't say that I'm always writing in my head but I do spend a lot of time in my head writing or coming up with ideas. And what I do usually is write the music and melody and then, you know, maybe the basic idea. But when I feel that I don't have a song or just say, God, please give me another song. And I just am quiet and it happens.
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If you play a Nickleback song backwards you'll hear messages from the devil. Even worse, if you play it forwards you'll hear Nickleback.
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There are two things that really move me: music and acting. And I'm not talking about my music or watching myself as an actor, but listening to other people's music and watching other actors. There are so many different songs that have moved me. It all depends upon the mood that I'm in at that moment.
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I really like it when movies take a song and use it to counterpoint a scene.
