Song Quotes
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Sometimes I get in writing moods and I want to write a song every couple of days. Then sometimes I may not write a song for three weeks. It's just according to how it's hitting me at the time.
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I'm so happy to be a song-writer - I'm even surprised when I get to record anything. I consider it a considerable privilege and a blessing to have a medium of expression that has a place in the world.
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It blows me away the number of truck drivers or macho guys that will call, and then I start peeling back the layers, and I find out they've been listening to me for 10 or 15 years, and they know every lyric to every sappy song.
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I don't think you ever write a song with any intention except the song's about such and such per say ... we've never written a song and thought 'oh it'd be great if in this part this happened in the audience'.
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The art of the three-minute song is more like journalism than writing a big 400-page book. You want to be brief, you want to make sense right yen and there. And sometimes that takes a bit of work.
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One of my biggest thrills for me still is sitting down with a guitar or a piano and just out of nowhere trying to make a song happen.
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I only performed a song so I could not write an essay. I just enjoyed being around bands, and around musicians, and, I didn't want to be the girl who followed the band around. I love singing, I love performing, but it's never been this goal.
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Me personally, I side more with punk rock bands. I grew up with The Misfits, The Dead Boys, The Damned, Dropkick Murphys, and early AFI. That was the stuff that really got me into music. Song writing wise, bands like Alkaline Trio were very important to me for beginning to write songs.
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Dancing to a great song with great friends and lots of laughter makes me come alive.
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The MTV Video Awards were never about the video, but about the song. Most of the time it was just to glorify people for the wrong reason.
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I was deluding myself that the song was almost not important, but I think the real thing that was happening was almost like self-hypnosis or mediation. The guitar lick was the transcendental key that unlocked my brain. It freed me. And then it all became easy. It's funny now, because I've had times when it wasn't easy.
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I wrote these two songs ["Coming Out of the Dark" and "Always Tomorrow"] as a celebration of hope. And I want to send it out to all of those people who are suffering through this terrible disaster [Hurricane Katrina], and please know that you are not alone - and you will not be.
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I remember my first standup act when I was seventeen; I did a really lame song about being flat chested. I was doing it in New York, and I remember Kevin Brennan, the guy I lost my virginity to, was like "That song doesn't make sense, you have tits."
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Triumphant hours are the Lark's
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Ever since I've been young I've been fascinated by the human body. I've written songs about it, but you can become quite morbid if you think about it too much - paranoid and a hypochondriac.
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When you have Julio Iglesias on a song, I think that's golden.
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I let the song come to me. Then that thing comes to you, and you just know what that thing is. Music isn't like a 9-to-5 job. You never know. It's just the most unpredictable thing.
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I sang 'American Pie' a lot in my stage set. It had a knack of uniting an audience in a sing-along. It's a clever song about American history but wrapped in a fantastic tune.
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When a song came on the radio that I wanted to learn, my mother would quickly write down the lyrics for me. Soon after, I would be singing it.
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I wouldn't use a song I didn't think was my brand or image.
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Pop music thrives on repetition. You know a song's a hit when you've heard it so often that you'll be happy never to hear it again.
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There're songs to make you smile, there're songs to make you sad. But with a happy song to sing it never seems as bad.
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When you're like, 'Yo, we gotta write a hit song, we need a hit song right now,' that never works. Every time that happens, I never write a hit song.
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A song has to become as much a part of you as a tailored suit.
