Song Quotes
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A lot of big whoever producers, they come with a song and they say, 'Sing this,' and I'm not that girl.
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My music is rock. I listen to Red Hot Chili Peppers and I listen to one of my songs, and if I don't give you the same emotion, then I go back and re-spit.
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The actual writing of a song usually comes in the form of a realisation. I can't contrive a song.
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Revising a screenplay is much more frustrating than revising a song because you have to read through the entire work again while you are changing stuff. It is a lot easier to edit a song.
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I think I have a vested interest in thinking that the lyrics are important, but I think for us it's important that we all write things that mean something to us, and I think we're not really in the business of writing la-la-love-you chart pop songs. It needs to have a personal pulling in the gut for me, to want to write anything about it.
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I can write songs, I've had songs in movies, but I can't compose film scores, you know?
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The most important ingredient to making a song work is the magic. You've got a melody, you've got words, but on the more successful songs, there's a sort of magic glow that just happens and you can feel it happening. It just makes the songs sort of roll out.
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I wish I could end every rap song I didn't like with a buzzer.
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I wanna do a song with Adele! Nobody gets Adele as a feature, so maybe I can. I hope she knows who I am!
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When you are happy it is harder to write [songs].
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I still do one song by myself onstage. it gives people the extremely personal thing where it's just me on guitar. But, I think the songs are better as a band. I think with all of the extra little hooks and backing vocals, it just adds to what my initial idea was.
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Typing in the name of a song and downloading the song you really have no connection with the artist at that point. So I think it is still important to have physical CDs and stuff like that.
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If you only ever heard "Valley Girl," or "Don't Eat The Yellow Snow," or a song that has a comedic narrative, you would get some impression that that was novelty music, but that's the only stuff that ever got on the radio. You can make the argument that that's what has confused generations as to what his music's about.
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I was talking to my spiritual advisor. I got a letter from somebody who said that they were about to kill themselves, but they listened to a song of mine and it saved their lives.
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On past records I usually did start with a story or an idea for a song and then write around it, but on Achilles' Heel I would just start writing and try to let the song and my sub-conscience determine the direction. which is a goofy way of saying I tried not to decide before hand what the song and or the characters would do and be like.
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A lot of Gorillaz songs were very personal. I mean, that's why it was interesting, because it wasn't music being made for a cartoon. It was something different. It was a much more emotional affair. I wasn't necessarily thinking in the third-person then.
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Ever since I was 2 or 3, I loved to perform for people. I would walk up to another table in a restaurant and crack a joke, sing a song, do a dance, or something entertaining, and the 'audience' would almost always smile and laugh.
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Somebody's going to hear a song that will key in a nerve or something in their experience that represents their own vision. And the next person is going to see it completely different. So even what it means to me is probably irrelevant. It's totally irrelevant. What matters is what it means to each person listening to it.
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I'd never written a song before 'The Blood'; I didn't know it was going to be a song.
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"I'll Still Destroy You" song is lovingly talking about how we change our states of mind, whether it's weed or wine or whatever. It's an ingredient in my life. Sometimes we overindulge ourselves. I've always been okay with that in a funny way. I sing about that stuff a lot, and the dangers of it.
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There's nothing worse than looking out and seeing some guy with his arms crossed while you're singing your heart out on a new song, and he's going, 'When are they going to do 'Me and My Gang?''
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I go to restaurants and the groups always play 'Yesterday.' I even signed a guy's violin in Spain after he played us 'Yesterday.' He couldn't understand that I didn't write the song. But I guess he couldn't have gone from table to table playing 'I Am The Walrus.'
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I am out to sing songs that will prove to you that this is your world and that if it has hit you pretty hard and knocked you for a dozen loops, no matter what color, what size you are, how you are built, I am out to sing the songs that make you take pride in yourself and in your work. And the songs that I sing are made up for the most part by all sorts of folks just about like you.
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Oh you who read some song I have sung What know you of the soul from whence it sprung
