Song Quotes
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By the time I got to record my first album, I was 26, I didn't need pen or paper - my memory had been trained just to listen to a song, think of the words, and lay them to tape.
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I might be eating something, and the bag opens in a cool way, and I'm like, 'I wanna put that in the song.'
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The reason I play music is to touch people - for selfish reasons, as well. It feels good to make someone else feel something, whether it's a kiss, a painting, good idea or it's a song.
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Cecilia was made in a living room on a Sony. It was like a little piece of magical fluff, bur it works. El Condor Pasa a Los Incas record that I love. Bridge is a very strong melodic song.
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I try to write from a really honest place when I write pop music and carry the song into a more deep and more symbolic visual
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Both Springsteen and Michael Jackson, who had these huge productions, could always scale them back down to just a song and a melody. All of that influences me. I also try to be a fictional writer, and sometimes I get close, but the things that resonate the most with me - and with everyone else - is what's real.
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We haven't really changed, we've just gotten better at executing what we've always been trying to do. We're not really a band that has undergone huge stylistic decisions to change, we're just trying to follow the song. More and more, we let the song lead us - we don't try and put the song into a structure of our taste or our fashion.
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Oh you who read some song I have sung What know you of the soul from whence it sprung
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When you write a song, the goal is not to convey the details of your life. You should write a memoir or something if that's what you're going to do.
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My favorite song is 'No Air,' a duet I did with Chris Brown. I don't want to sound weird or anything, but I listen to it a lot - it's always on my iPod!
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My parents' generation was definitely pre-telly, and they knew how to entertain each other. Everybody knew something that they could do - a song or a poem, or a piece of music. At school, I remember being a cat and then a budgie and then a bumble bee. I obviously thought all that was marvelous.
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You never know until a song comes out and becomes what it becomes, obviously you can't predict how the masses will react.
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The perfect pop song is a 20th-century creation; it's not a sonnet, it's not an opera, it's something short - three and a half minutes by nature - and has this ability to travel and to defy class and economic structures.
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Anytime an artist puts your name in a song, it's unbelievable. It never gets old.
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The song I came to sing remains unsung to this day. I have spent my days in stringing and in unstringing my instrument. The time has not come true, the words have not been rightly set; only there is the agony of wishing in my heart . . .
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I really don't do concept stuff very well. If I'm sitting thinking about what kind of song I want to write, within a few minutes, I'm kind of bored. It's just a personal thing for me.
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It's a dangerous game to write a song for a person you don't know. It feels disingenuous.
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It's a powerful thing hearing your friend on a very beautiful song.
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I've spent a lot of my early twenties focusing on other people as opposed to myself. Being madly in love with people and putting them first and not necessarily putting myself under a microscope. It's unsettling but I'm trying to be the kind of person that can be alone, at peace with himself. Making most recent album, I felt braver putting stuff into songs than I do bringing them up in conversation. Which makes no logical sense. Lyrically, there was a lot less hiding behind suns and moons and stars.
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I think the more that I can find myself getting out of the way - like you said yourself - trying to get out of thinking too much, and sometimes something truly special can happen. That's the beautiful mystery of song writing - that you really don't know where these songs come from exactly, and you don't know how you came up with them - and god bless it that you should have the gift of channeling that.
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To create an album of 12 songs, I've got to write about 80 songs. Half of those are totally weird and rubbish.
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Use your eyes as if tomorrow you would be stricken blind. Hear the music of voices, the song of birds, the mighty strains of an orchestra as if you would be stricken deaf tomorrow . . . Smell the perfume of flowers, taste with relish each morsel as if tomorrow you could never smell and taste again. Glory in all the facts of pleasure and beauty which the world reveals to you.
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I am deeply saddened to hear about the passing of one of my all time heroes, George Jones. Georges' music was real and he was able to touch thousands through his songs. Not only was he a great singer, but he also had the ability to make you relate to every one of his songs, no matter who you are. He and his music will remain timeless in the world of country music. My thoughts and prayers are with his family through this difficult time.
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I don't know if I want her to sing it with us, but I'm curious to what type of song Taylor Swift would write for us. I'm curious to see what kind of pen she would write for TLC. Or like an Adam Levine. Somebody like that. They're phenomenal writers.
