Song Quotes
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You could name practically any problem in the hood and there'd be a rap song for you.
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It's a powerful thing to be able to write a song. Even the least powerful feeling - like insecurity - that makes you feel weak when you experience it, when you write about it, you are powerful.
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Over increasingly large areas of the United States, spring now comes unheralded by the return of the birds, and the early mornings are strangely silent where once they were filled with the beauty of bird song.
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'Boneless,' even though we were thinking about servicing it to radio, it made more sense putting a vocal on there. This was actually the first time that I really looked at doing a song for radio and kind of let go of some control and listened to a lot of different radio pluggers and had Ultra come in and help out with ideas.
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I have so much music that I do. Just like how a visual artist is always sketching something but they might not share it, I'm always writing songs or coming up with melodic lines on piano or guitar. It's therapy. It's always happening.
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I couldn't write a political song. There's just opinion; it's all arbitrary anyway. It's all subjective.
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I am a black woman the music of my song some sweet arpeggio of tears is written in a minor key and I can be heard humming in the night Can be heard humming in the night.
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And O there are days in this life, worth life and worth death. And O what a bright old song it is, that O 'tis love, 'tis love, 'tis love that makes the world go round!
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Pronouns really don't matter in a song - 'I' or 'he' or 'she' or even subscribing a lyric to an inanimate object.
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I really feel every word to every song a lot more than I have in the past.
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I'd always thought that if I could get sober and stay sober, I would be able to have a career making music. My drug and alcohol addiction was the one thing holding me back. I had finally gotten the tools to stay sober, and it was just a matter of writing the songs.
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The whole industry evolves around a great song.
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When I'm picking songs for an album I always want a song that I can relate to and that I have experienced. There's nothing worse than watching an artist try and sell a song that isn't believable coming from them.
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It's a powerful thing hearing your friend on a very beautiful song.
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Writing has never been an intentional endeavor to me. I know a lot of people have experiences and then sit down and try to sort them out through song, but whenever I sit down to write, it comes out hackneyed or overly saccharine.
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I project love, music and love, and I pray for peace. A good song cuts straight to the heart; sometimes it doesn't need to be too many lines – of course, I do love a good story.
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There must be a law if there is to be liberty. Try to play a piano and you will run into laws as fixed as the decrees of the Medes and Persians. But through those statutes you reach the songs, drudgery leads to delight. The law of Christ brings the liberty of Christ. Keep His statutes, and they become songs. The other side of commandment is conquest. What seems restraint to the outsider means release to you.
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'Dirt On My Boots' is a very different song. I heard the melody, and I heard the lyrics, and I heard the drive of that song. I totally related. It was kinda me when I was on my bulldozer working for my dad.
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I've always been an all around creative person. Song writing and writing are great ways for me to express myself.
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I wrote the song 'Angels Standing By'... to try and soothe myself - rock myself to sleep, basically - because I was so scared and stressed.
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When I'm writing a song, I'm just making stuff up as I go along.
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Robert Burns enriched Scottish song with his genius and is mainly responsible for the rich treasure house of song that we enjoy today. He collected folk songs, retained the melodic line, kept what words were usable and rewrote the rest. He didn't claim ownership.
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It's got to be hard to be a band that's trading on your 40-year-old hits, where there's a certain thing that's expected of you. But that's why I admire Bob Dylan's live performances - he's steadfast about mixing up the songs, not just sticking to his greatest hits, and reinterpreting them to the extent that you really can't recognize them until halfway through. It's like, I DARE you to sing along.
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That's the miracle of music. No one can reinterpret a Picasso, but a song can be remixed and covered and interpreted in an infinite number of ways. It's a living thing.
