Song Quotes
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I do love to interpret songs in American Sign Language.
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Songs are like my children, from the concept phase, to writing, to recording, then editing and all of the work that went into it and the millions of listens. Then you move away from it and you never see it again.
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We definitely “grow” demos. In the beginning, we have a rough idea, and it usually is a work in progress for a few months. We usually have a couple going at the same time. When a song gets “there”, we will then zero in on it, and focus and finish it.
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A lot of Gorillaz songs were very personal. I mean, that's why it was interesting, because it wasn't music being made for a cartoon. It was something different. It was a much more emotional affair. I wasn't necessarily thinking in the third-person then.
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I want to make something I would find joy in consuming. Personally, I enjoy those projects that are worth me investing time and energy and thought into, to find a work that has more to say than will fit in a 4 minute song.
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For myself music definitely informs my emotions. And I can literally play a song that will get me where I need to be emotionally. I don't have to think about the tragic things that happened in my life or the greatest things that happened in my life.
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From very early on, I've realized that and I have a mission statement with my songs to entertain, to encourage and to challenge the Body of Christ. That's always kind of the focus of the songs that I write for myself.
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To me, our signature song was 'Rosanna.' That was the ultimate Toto track, where everybody had a chance to shine.
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Usually, if someone wants an inspiring-type number - patriotic, gospel, big love song - then I think you do think of me.
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A big mistake a lot of filmmakers do is they like, "We cut our whole ending to a Rolling Stones song." You better find a new ending then, because unless you have $2 million for that song.
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When I think of folk music, I think of topical songs. And I don't write topical songs.
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I was talking to my spiritual advisor. I got a letter from somebody who said that they were about to kill themselves, but they listened to a song of mine and it saved their lives.
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Obviously, writing together is very intimate because it's sort of acting where you need to get to a really deep place to get the most emotional song.
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I just had a really crappy time in school and I spent a lot of time writing songs and not doing work. I started talking to Noah - Panda Bear - about recording a really solid album, spending a lot of time on it to get it to sound exactly the way we wanted it to.
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"I'll Still Destroy You" song is lovingly talking about how we change our states of mind, whether it's weed or wine or whatever. It's an ingredient in my life. Sometimes we overindulge ourselves. I've always been okay with that in a funny way. I sing about that stuff a lot, and the dangers of it.
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From a very early age, I started to get really interested in how songs were put to tape. Not just listening to the songs, but the way the songs were recorded.
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'Twas easy following where invention trod - All eyes can see when light flows out from God. And thus did Jubal to his race reveal Music their larger soul, where woe and weal Filling the resonant chords, the song, the dance, Moved with a wider-winged utterance.
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Oh you who read some song I have sung What know you of the soul from whence it sprung
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Doesn't anybody stay in one place any more?
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Em reminds me of one of my friends from back home. It was just so natural. I forgot in two seconds that he was the biggest-selling artist of the decade. He knows what he’s doing. Me and him mixed the song together and he’s not like somebody that’s telling somebody what to do. We were both on the board turning knobs. The atmosphere and the vibe down there was just super cool.
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I try to tell the story about the song with the believability that I've lived it myself and I understand what it's all about.
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I know all my different formulas to get certain sounds. I've been doing this so long that I don't experiment anymore. Or let me rephrase: I've been doing this so long that I don't have to experiment as much. You always want to evolve and change, but if I go in and I know it's a certain type of song, I know exactly where I'm going to place the mics.
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George Jones is country soul. Once this kind of music sits in you and you take it all, it reaches down into your soul. George Jones to me was one of the most soulful singers of any genre. That drew me to his music. He knew how to present a song without really thinking about it.
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When all else fails, put on a costume and sing a silly song.
